We are no strangers today to visual representations of human suffering at sea: the refugee crisis that continues to play out in the seascape between Europe and Africa (and not only there) yields an ever-growing archive of humanitarian tragedy. As both a visual backdrop and a lethal medium of unequal mobility, maritime space and landscape play a significant role in mediating the ethical demands of this crisis. Yet there has been little exploration of the longer history of morality’s role in ...

In 1790, between the birth of America (1776) and the creation of the French National Assembly (1789), nine provinces nestled between the French and Dutch borders declared themselves a new free and independent country: the United States of Belgium. Before then, the provinces had been part of the vast Austrian Habsburg Empire ruled by Joseph II. In 1789 revolutionaries from Brussels to Ghent to Namur recruited a grass-roots army that, to the surprise of many, successfully chased imperial forces...

It is a major challenge to write the history of post-WWII architectural theory without boiling it down to a few defining paradigms. An impressive anthologising effort during the 1990s charted architectural theory mostly via the various theoretical frameworks employed, such as critical theory, critical regionalism, deconstructivism, and pragmatism.

Yet the intellectual contours of what constitutes architectural theory have been constantly in flux. It is therefore paramount to ask what kind of ...

In his encyclical Aeterni Patris (1879), Pope Leo XIII expressed the conviction that the renewed study of the philosophical legacy of Saint Thomas Aquinas would help Catholics to engage in a dialogue with secular modernity while maintaining respect for Church doctrine and tradition. As a result, the neo-scholastic framework dominated Catholic intellectual production for nearly a century thereafter.

This volume assesses the societal impact of the Thomist revival movement, with particular atten...

The practice of architecture manifests in myriad forms and engagements. Overcoming false divides, this volume frames the fertile relationship between the cultural and scholarly production of academia and the process of designing and building in the material world. It proposes the concept of the hybrid practitioner, who bridges the gap between academia and practice by considering how different aspects of architectural practice, theory, and history intersect, opening up a fascinating array of p...

Sigmund Freud’s Beyond the Pleasure Principle stands as a foundational text in psychoanalysis, delving into profound questions about life, death, pleasure and pain. Through a combination of contextualising and philosophical contributions, this critical edition and commentary sheds new light on Freud’s text. In a series of contributions spanning approaches from historical exegesis to philosophical reflections on key concepts and ideas presented in Beyond the Pleasure Principle, the evoluti...

In medieval and early modern natural philosophy, very few issues were as controversial as the nature of the elements. From the thirteenth up until the sixteenth century, European thinkers discussed this problem with growing interest. Defining the nature of the elements was key to deciphering the very structure of the universe and the essence of things. Along with five primary texts, here edited for the first time, this book discusses one of the most original contributions to this debate, that...

By spanning both historical and current aspects, and by treating the Bible and the Qur’an together, this book breaks new ground and paves the way for future research on the myriad discursive and religious aspects of retranslation.

This carefully curated collection of article argues that the retranslation of canonical religious texts is a multi-faceted phenomenon. The collection demonstrates that retranslations of such texts manifest in different forms, depending on the religious, political ...

At the crossroads of philosophy, artistic practice, and art history.Though Gilles Deleuze and Felix Guattari were not strictly art historians, they reinvigorated ontological and formal approaches to art, and simultaneously borrowed art historical concepts for their own philosophical work. They were dedicated modernists, inspired by the German school of expressionist art historians such as Riegl, Wölfflin, and Worringer and the great modernist art critics such as Rosenberg, Steinberg, Greenbe...