'Re-Thinking Re-Use' is a dialogue and collaboration between Dutch and Japanese (building) cultures, where differing perspectives enrich and inspire one another. By learning from each other’s traditions and views on old, new and change, the project seeks a new and guiding balance. It embraces the reuse and transformation of existing buildings, structures and materials, encouraging an exchange between generations of architects and builders, and between innovation and craftsmanship. At a time...

De Nederlandse landschapsfotograaf Jan Koster (1959) is bekend door zijn fotocollages van panoramische landschappen. Rivieren, kolken, uiterwaarden en weilanden zijn herhaaldelijk onderwerp geweest van een ruimtelijk breedbeeld. Dat Kosters liefde voor het Nederlandse Landschap groot is, blijkt uit het project Dutchscapes. Van 2002 tot en met 2006 heeft hij de Nederlandse kust in een indrukwekkende reeks systematisch fotografisch in kaart gebracht. Net zoals bij de panoramische fotocollages ...

'Of Beauty and Doubt' is de eerste monografie over het werk van beeldend kunstenaar Silvia B. Het boek biedt een uitgebreid overzicht van haar beelden, tekeningen, foto's en installaties van de afgelopen 25 jaar. De lezer wordt meegenomen in haar met zorg geconstrueerde universum, dat wordt bevolkt door ongrijpbare wezens die het midden houden tussen mensen, dieren, kinderen, volwassenen, mannen en vrouwen. Met tekstbijdragen van Arnoud Odding, Marcel Möring, Jaap Röell, Werner van den Bel...

Nine essays on home, identity and ruins. Writers, artist curators, and researchers, discuss homelessness and war, utopias of free movement, reconstructing cities and their histories, and the ethics of art. Viewpoints from Benelux, Finland, and Syria are bound together by artist Anssi Pulkkinen's 'Street View (Reassembled)', a mobile installation of a ruined Syrian home. The essays offer surprising perspectives into timely themes in today's world.

With contributions by Umayyad Abu-Hanna, Marwa...

'Lonely Planet. Yamatai Koku.Susan Kooi' is the second part of the triptych, in which Dutch artist Susan Kooi travels to Italy, Portugal, and Japan to work with various traditions of ceramic crafts. During a three-month residency in Arita - birthplace of Japanese porcelain production with a rich history in ceramics - Kooi worked with recontextualizing and poetically reconstructing ceramic objects. This publication shows a selection of works made during Kooi's three-month residency in Arita, a...

The photo-book 'Felwa' is a chronicle of transitions that explore an essential paradox of nature, in the context of the Veluwe region in the Netherlands, namely that change is the only constant. Structured like ripples in a pool, the book begins with references to the past examining our ancient emotional relationship with the world in terms of mythology and belief and ends with the scientific data based view we have today. Within these parameters we explore relationships to place ranging from...