Today we view Cezanne as a monumental figure, but during his lifetime (1839-1906), many did not understand him or his work. This book tells the story of an artist who was never accepted into the official Salon: he was considered a revolutionary at best and a barbarian at worst, whose paintings were unfinished, distorted and strange.

Von Renoir über Monet bis zu Gauguin - die moderne französische Kunst wurde Anfang des 20. Jahrhunderts nicht nur von westlichen Sammlern geschätzt, sondern fand auch in Japan früh Anhänger. Das Museum Folkwang zeigt 2022 anlässlich seines 100. Jubiläums am Standort Essen seine herausragende, von Karl Ernst Osthaus (1874-1921) begründete Sammlung postimpressionistischer Kunst. Der eigene Bestand wird Glanzstücken des Impressionismus und Postimpressionismus aus der Sammlung Kojiro Mat...

This generously illustrated volume on the work of Rembrandt makes the world's greatest art accessible to readers of every level of appreciation.

This glorious, authoritative, and unprecedented retrospective of Doré’s prints and paintings, drawn from an oeuvre of more than 10,000 works, comes in a spectacularly ornate package that reflects the artist’s own dramatic style.

This XL edition traces the extraordinary depth and breadth of Michelangelo’s work and his ascent to the elite of the Renaissance and art history. Ten richly illustrated chapters cover the artist’s paintings, sculptures, and architecture, with special focus on the tour de force frescoes of the Sistine Chapel.

The Exposition of Artistic Research: Publishing Art in Academia introduces the pioneering concept of 'expositions' in the context of art and design research, where practice needs to be exposed as research to enter academic discourse. It brings together reflective and methodological approaches to exposition writing from a variety of artistic disciplines including fine art, music and design, which it links to questions of publication and the use of technology. The book proposes a novel relati...

Between 2015 and 2018 the artists Nada Gambier, Mark Etchells and Thomas Kasebacher undertook a series of visits to cities across Europe, spending several weeks in each place in a sustained, playful and intuitively structured investigation. They went to, amongst others, Athens, Mynämäki, Tbilisi, Kortrijk, Lille, Tournai and Zagreb, criss-crossing the continent, in myriad directions, taking notes, taking photographs and making recordings. There was talk in bars and cafés, in private houses...