An evocative photo book with three essays documenting the careful transformation of the nineteenth-century Fort Hoofddorp, part of the Amsterdam Defence Line. The strategic interventions of architect Serge Schoemaker are captured in the photos of Max Hart Nibbrig and described in the contributions of Kirsten Hannema, Hans Ibelings, and Jolanthe Kugler.

Footprint #29 aims at exploring the architectural relations to populism intended as the political approach that strives to appeal to the “common” public. It examines architecture’s intersection with media, politics and aesthetics. From Nazi Germany to Trump’s presidency the use of architecture and its relationship with ideologies is reflected upon, as well as how architectural aspirations are reshaped in the light of different populist ramifications. This issue is an open inquiry into...

Difficult problems do not always require far-fetched solutions, but in order to arrive at the solution a change of perspective may be in order. The City as a System advocates such a change of perspective in the study of the urban environment. It posits that designers who wish to truly improve the functioning of the city and solve tricky urban problems cannot afford to only focus on the spatial manifestation of the city, but should also conduct thorough research into the underlying system, int...

Loneliness is on the rise, communities are fragmenting, and our city centers are losing their sense of connection. Yet, hope still lives in the places where we come together.

Third Places, like libraries, cultural hubs, and community centers forge social bonds and a feeling of belonging.

Come, Stay, Grow – The Art and Science of Places That Connect Us is your essential guide to designing, building, and sustaining these spaces. Urban anthropologist Amy Goedhart and architect Aat Vos shar...

The Thinking Foot is a study of history and associations. In method and form it claims to be no more (nor less) than an illustrated essay on the architectural expression of surface. It concentrates on the Earth on which we walk: not the Earth in depth (the underground world) nor the geological Earth, but simply the Earth as visible crust, as surface. The Thinking Foot is indeed about surface and in particular about how this surface was made into a ‘civilized’ theatre of communal existence...