This postbellum Greek tragedy is the perfect introduction to Faulkner’s elaborate descriptive syntax. Quentin Compson and Shreve, his Harvard roommate, are obsessed with the tragic rise and fall of Thomas Sutpen. As a poor white boy, Sutpen was turned away from a plantation owner's mansion by a black butler.

Based on his work at companies like Ford, Christian Madsbjerg's Sensemaking is a provocative stand against the tyranny of big data and scientism, an impassioned defense of an arts and humanities-based education, and a blueprint for how companies and leaders can use human intelligence to solve problems.

An original and consequential argument about race, crime, and the law

The most authoritative and up-to-date introduction to Monet on the market, written by a world authority on Impressionism and 19th-century French art.

A classic monograph in the World of Art series, offering a a detailed insight into Rembrandt's life and work.

Rembrandt is among the few Old Master artists to retain universal appeal among art lovers today, his striking self-portraits lauded the world over - yet he remains an elusive, enigmatic figure.

Here, the distinguished art historian Christopher White carefully considers the known facts to build a sensitive and thorough account of the artist's life and work. He de...

One of four titles in Thames & Hudson’s innovative new ‘Big Idea’ series, this incisive discussion of capitalism breaks down the key concepts and theories at the heart of this contentious topic.

On 2 May, 1536, in an act unprecedented in English history, Anne Boleyn, Henry VIII's second wife, was imprisoned in the Tower of London. Did Cromwell, for reasons of his own, construct a case against Anne and her faction, and then present compelling evidence before the King?

**Winner of the Financial Times and Goldman Sachs Business Book of the Year Award** 'Brad Stone's definitive book on Amazon and Bezos' The Guardian'A masterclass in deeply researched investigative financial journalism .

A guide to the 99% of the Universe our eyes can’t see from a dazzling new voice in popular science