This volume presents the proceedings of the HOMER 2021 international conference, held in September/October 2021 on the Island of Oléron, France. The conference focused on recent advances in coastal and island archaeology across a wide geographical area, covering the Atlantic north of the equator. From the 55 oral presentations and 24 posters, 49 papers emerged, contributed by scholars from seven countries.

The publication showcases the diversity of maritime archaeology, spanning fieldwork to...

One of the largest collections of Egyptian and Sudanese antiquities worldwide was accrued by the Egyptologist Friedrich Wilhelm Freiherr von Bissing (1873–1956). As a scholar, university professor, and politically engaged Prussian nobleman he was an important link in the international network of Egyptology and in the distribution of archaeological objects to museums. He was also active in other disciplines regarding the ancient world, such as Etruscology. Already during his life, the collec...

Ancient Egyptian animal mummies can be found in almost every Egyptological museum collection. These mummified bodies of animals—from cats and falcons to scarabs and fish—played a role in animal cults and religion, but could also represent a favourite pet or serve as food for the deceased. Especially in Graeco-Roman Egypt, large numbers of animal mummies were deposited as votive offerings related to animal cults, thus playing a significant role in local economies. Studying their remains he...

Archaeological research on early villages has repeatedly shown that despite their small size these settlements were anything but simple. Excavations at the Late Neolithic and early Aeneolithic village of Monjukli Depe in the Kopet Dag foothills of Turkmenistan contribute to a picture of this complexity. General uniformities in house plans and material culture conceal underlying variability in material and social practices. Small-scale analyses of the preparation and use of space in buildings,...

The art of painting on bark was once widely found in many parts of the Pacific, including the Sepik River region of Papua New Guinea, the home of the Kwoma people who are the subject of this study. The styles of the paintings and the subjects of designs were as varied as the hundreds of languages spoken in this region.

Following European contact at the end of the nineteenth century, and the social change this brought, many New Guinea peoples discontinued producing their vibrant designs on ba...