Tami Amit’s self-titled monograph compiles reproductions of her recent work on paper and canvas. Amit’s practice is a particular mode of action painting which processes childhood memories and issues of self identity and expression. This is her first monograph as a painter.

Cindy Wright creates large-scale oil paintings on canvas. At first glance the monumental still life paintings appear to be photo-realistic, using the photographic methods of cropping compositions and intense source lighting. But on closer inspection, the range of mark-making and painterly applications become astoundingly apparent. Wright’s work echoes the morbid tradition of ‘vanitas’ from the Dutch Old Masters of the 16th and 17th Century. Between beauty and decay, archetypal symbols l...

Explore the fascinating interplay between visual art and architecture in 'Cut Down Build Up.' This book delves into three thought-provoking dialogues initiated by two talented visual artists and an architect, each with a unique perspective on abstraction and architecture. Rather than a dry analysis, this book takes a hands-on, practical approach to the subject. Through experimentation, creation, and mutual exploration, Hans Demeulenaere, Dimitri Vangrunderbeek, and Thierry Lagrange, along wit...

When post-war art in Western Europe was characterised by happenings and installations, the artist Raimund Girke (1930–2002), born in Heinzendorf (today Poland, then Lower Silesia (Germany)), continued to regard art as a two-dimensional application of paint on canvas or paper. Although he exhibited several times with artists of the ZERO movement, founded by his fellow students at the Kunstakademie Düsseldorf, he was determined not to be a part of it. Later, he was associated with some other...

The publication Open Field explores and amplifies the work of Raffaella Crispino between research and practice in the eponymous exhibition held at the Royal Museum of Fine Arts in Tournai, within the framework of the Europalia Arts Festival. In the publication, photographs of the works produced and installed in the museum are presented together with working documents, sketches, notes, historical photos, exchanges with scientists, references and architectural documents. The publication takes t...

The gaze that looks ahead and then slowly wanders down or to the side, looking for traces and signs of a landscape, rather than the landscape itself. Van den Broek paints what others pay no attention to or simply overlook. Cracks, borders, shadows, lines, corners, and also bridges, trees, trucks, reflections. They are set up crisply, and stripped of their frills (or as van den Broek puts it: “Cut away the snoopy!”), which leaves them somewhere between figuration and abstraction. Are we in...

Elsje Dezwartes book Coil is a visual and cerebral reflection of everything and nothing, of how humans experience and live through time. It is about human experience across generations; caught in an infinite time loop. The cadence and rhythm of the images slowly carry the viewer along, as time passes. The reader becomes part of the scene and decides for themselves the direction and sequence of events. Are they looking at the present, the past or the future? The landscapes develop their own ch...

Ricardo Brey (°1955, Havana) is one of the most important artists of our time. His artistic roots lie in the 1970s and 1980s as an active member of the group Volumen I, a landmark in Cuban art history. After extensive travel, Brey receives an invitation from Jan Hoet to participate in Documenta IX in Kassel. Brey moves to Ghent in 1990, where he still lives and works. In 1998 he received a Guggenheim fellowship for installation art and sculpture and the Flemish Visual Arts Prize. Brey has he...

Mercy (Politics) derives from Zlatko Kopljar and Luc Tuymans’ two-person exhibition titled Mercy (December 22-February 23, Galerija Vartai, Vilnius, Lithuania). The book revolves around the politics in the artists’ work, as well as their political views. It consists of an extensive interview with each of the artists and a curatorial statement by Ory Dessau, the editor of the book and the curator of the exhibition mentioned above.