Step into the enchanting world of Elian Bittencourt, a maestro since his early years, weaving musical tales with his inseparable companion — his guitar. In the symphony of his success, the guitar isn't just an instrument; it's the key to a world that unfolds with each note.

Elian's creative spirit knows no bounds. With over 500 compositions, he paints sonic landscapes that resonate with a unique blend of talent, technique, and refined sensitivity. His music isn't just heard; it's experience...

Create outstanding gift packages and papercraft projects with our strikingly designed papers! PEPIN Gift & Creative Paper Books offer 12 high-quality sheets, boasting a broad assortment of modern and classical art and design styles. The sheets are folded to fit into the books; tear along the perforated line to open them up to the standard gift wrap size of 500x700mm. Titles of this series include vintage design themes, botanical and floral styles, cultural styles and artist-themed books, all ...

Lost in Media: Migrant Perspectives and the Public Sphere gathers critical responses to the representations of migrants in the media in Europe through nine essays by prominent writers, artists and journalists. The starting point is the assertion that migrants have entered European countries, but they haven’t entered the public sphere. When they do, it is as characters in other people’s stories as something other. They are spoken about, but rarely asked. Pointed at, but rarely heard. Decid...

Wicked Arts Assignments zijn gewaagde, ongebruikelijke, dwarse, grappige, poëtische, inspirerende, sociaal betrokken of anderszins uitdagende kunstopdrachten. Iedereen die kunstlessen geeft, kent ze: zo'n opdracht die ogenschijnlijk simpel is, maar die deelnemers, studenten en leerlingen maximaal uitdaagt. Veel kunstenaars, musici, theatermakers, dansers en kunstdocenten hebben die ene favoriete, vaak gebruikte opdracht waarin alles samenkomt: artistieke visie, pedagogische aanpak en liefde ...

A Choreographer's Score is a conversation in which the Belgian choreographer Anne Teresa De Keersmaeker gives the performance theorist and musicologist Bojana Cvejic wide-ranging insights into choreography and into the making of the four early works (1981-86).

The publication comprises a book of interviews, illustrated by numerous drawings, schemes, photos, working notes and post-performance documents.

Volgens de overlevering zou Vincent van Gogh (1853-1890) tijdens zijn hele leven slechts één enkel werk hebben verkocht, maar bijna meteen na zijn dood verbrak de verkoop van zijn schilderijen in elk geval alle veilingrecords. Dit op grondig onderzoek gebaseerde boek belicht de cruciale rol die de Thannhauser Gallery speelde in de ontwikkeling en vorming van een vroege cliënteel voor de werken van de kunstenaar. De Thannhauser Gallery werd in 1909 in München opgericht en was Duitslands be...

Acclaimed and beloved for her paintings of women and small children in intimate, informal settings, Mary Cassatt (1844-1926) was the first American artist to associate and exhibit with the French Impressionists in Paris. Cassatt explained her affinity for depicting children, saying they are "natural and truthful," two of the exact qualities that her generation of artists was energetically pursuing. This beautiful book, edited by a preeminent Cassatt scholar, brings together more than sixty ...

With his posters, illustrations, television animations and his many exhibitions the world over, Jean-Michel Folon (1934-2005) marked the global imaginary during the last third of the 20th century. He was a humanist who left behind him a figurative and poetic body of that, anchored in traditional techniques, were quite atypical in the artistic landscape of his era.

Sculpture knocked like a challenge that Folon threw himself into headlong in the second part of his career. Throughout the 1990s, ...

Pierre Culot (1938-2011) was een Belgische keramist/beeldhouwer.

Pierre Culot werd opgeleid door Antoine de Vinck en de Engelse meester-pottenbakker Bernard Leach. Hij behoorde tot de generatie keramisten uit de jaren 1950 die van hun ambacht een kunstvorm maakten. De klei die hij draaide, tot plakken vormde, afkrabde en verniste veranderde in courante gebruiksvoorwerpen met een majestueuze présence. Hij bleef zijn leven lang trouw aan zijn initiële pottenbakkerservaring, en liet zijn werk ...