‘100MJ’ concerns an intuitive and personal drawing project about identity by Dutch artist Bas Kosters. The book shows a series of a hundred full page drawings based on the image of Michael Jackson. It is about how people are shaped trough the eyes of others, the reach of recognizability and identity. It plays with the ideas about visual culture and recognizability. In hundred portraits drawn on ephemera Kosters shows, in a poetic manner, man in all their strength.

Over the course of 202-2021, during the pandemic, Kara Walker has produced series of drawings in the style of a medieval 'Book of Hours'. Enigmatic images appear to traverse a range of time periods, from scenes of biblical and mythological origins, to images of historical violence, to others that suggest more recent political strife. The highly personal nature of these images capture Walker's own response to the intersection of past and present as a way to understand our contemporary politica...

A magnificent introduction to the Cobra art movement

With French as its working language, Cobra was pretty much the last truly European movement within Modernism. The group’s anarchic story is not just an important strand in art history — it remains as lively as ever and has inspired all sorts of artists who were never directly involved with Cobra. The work bequeathed to us by Karel Appel, Pierre Alechinsky, Constant, Corneille and other kindred spirits is as fascinating as ever, both raw...

Tatyana Galtseva was born in Kemerovo (Siberia) in 1967 and has lived in Antwerp, Belgium, since 2000.

Besides her daily work at the Heritage Library Hendrik Conscience, she took several courses (ceramics, painting) at the Academy of Fine Arts in Berchem. Since her studies at the Academy, Tatyana has been working as an independent artist in her own studio.

An important source of inspiration in her search for her own forms and her own style and colour palette is the art theory of the founder o...

RAABJERG by Danish artist Rune Peitersen (1971) explores the changing landscape of northern Jutland (DK) from the last Ice Age until today.

During the 16th-19th centuries, climate change and human extraction of natural resources led to violent sand drift, which transformed the once fertile landscape into a barren wasteland. Different governments – from kings to elected parliaments – enacted laws to try to reverse it. After 200 years, they ‘succeeded’ and started reintroducing plants i...

Productive Archiving discusses a variety of problems archival organizations. It mainly focuses on the following three issues with archival organizations that are usually overlooked: first, the question of inclusion in or exclusion from the archive; second, the loss of individuality and specificity in the archive, the danger of homogenization; and third, that archiving may become a form of pigeonholing, boxing specific identities into a confined space. Avoiding the archive because of these pro...

What does the Earth sound like? In 'Stations: Listening to the Deep Earth', musician Stuart Hyatt teams up with PRINTtEXT to invite poets, composers, and scientists to answer this question. What begins as a grand science experiment quickly transforms into a lyrical duet with the enchanted ground beneath us.

Hyatt and Enrique Ramirez begin the text with examinations of a whole-Earth sensorium. The text then branches out in three directions—Invocation, Reverie, and Rhapsody—before reconverg...

NL

De werelden die Jasper de Beijer (Amsterdam, 1973) ons in zijn fotowerken voorschotelt zijn fascinerend, herkenbaar en vervreemdend tegelijk. Zijn werk gaat over het proces van kijken, zien en interpreteren. Eerst denk je dat het een foto van de werkelijkheid is, maar dan wordt duidelijk dat het een foto van een papieren maquette is. Je dwaalt door de voorstelling die nu meer is dan een foto. Je moet er iets mee, maar wat? En dat is precies de vraag die de kunstenaar aan ons stelt: Weet je...

Beginning in the Middle. Conversations on the Post-Soviet, edited and compiled by Elsbeth Dekker and Robbie Schweiger, explores the works, lives and travels of artists coming from a (post-) Soviet context. The conversations delve deeper into questions of art and (de)colonisation in countries in the Caucasus and Central Asia, most of which recently celebrated their 30th anniversary of independence.

Departing from Dutch collections and exhibitions, the conversations try to grapple with question...