From the bestselling author of How Fascism Works, a global call to action that tells us “why the past is a frontline in the struggle for a future free of fascism” (Jeff Sharlet, New York Times bestselling author) as it reveals the far right’s efforts to rewrite history and undo a century of progress on race, gender, sexuality, and class.

In the United States, democracy is under attack by an authoritarian movement that has found fertile ground among the country’s...

New Surrealism introduces an overview of the history of Surrealism and then shows how the themes explored by the early Surrealists are still present in contemporary drawing and composition.

Alongside a survey of contemporary Surrealism, the book also features a special section devoted to the working methods of fourteen artists from today, taking you into their studios to see how they create their artwork.

The Surrealist movement may be over a hundred years old, but it is still relevant to th...

Is it best to screen the error for the sake of preserving the art? Or should the art be sacrificed for the sake of truthfulness? Again and again in history a dominant church has utilised art to maintain its sway over men. Reformers (early Christians, Mohammedans, Puritans, and others) have perceived that art bound people to the old faith, and they were angry with art.

These works, in chronological order,are " My Confession ". A Criticism of Dogmatic Theology, which has never been translated....

Throughout the Cold War era, a sustained and intense dialogue developed between both the West and East German and the North American art scenes on artistic, socio-cultural, institutional and economic levels. Entangled Art Histories offers new insights into the complex and intertwined transatlantic networks that gradually emerged in the wake of movements such as Pop Art, Minimalism and Conceptualism, involving artists, museums, galleries, curators, critics, and the art market.

The essays in th...

The official book accompanying the unique exhibition of the ‘Mona Lisa’ among manuscripts

The Très Riches Heures of Jean, Duke of Berry is the best-preserved and one of the most magnificently exquisitely detailed manuscripts of the fifteenth century. Handmade around 1410 for the Duke of Berry, a prominent figure in France, this Book of Hours is known as a masterpiece of international Gothic art. It combines intriguing naturalism with imaginative, lively compositions on 206 parchment page...

Deze essaybundel onderzoekt het werk van Brian O'Doherty/Patrick Ireland: zijn beeldende kunstpraktijk, kunstkritiek, institutioneel leiderschap en institutionele kritiek, en zijn literaire werk. De groep internationale auteurs geven een vers perspectief op zijn oeuvre, dat aan beide kanten van de Atlantische Oceaan een grote bijdrage aan de kunsten heeft geleverd.

In Nederland is Brian O'Doherty vooral bekend geworden dankzij zijn invloedrijke boek Inside the White Cube: The Ideology of the...

This posthumously published essay presents Hans De Wolf's sharp analysis of one of the greatest rivalries in art history: a rivalry between two centuries, embodied by two of their most prominent figures: Courbet for the 19th and Duchamp for the 20th Century. It is a story in which, in a certain sense, one becomes the perfect enemy of the other. This constellation helped Duchamp to forge his own path, creating an artistic response to Courbet's work with equal relevance and monumentality. The c...

How did objects move between places and people, and how did they reshape the Republic’s arts, cultures and sciences?

‘Objects’ were vitally significant for the early modern Dutch Republic, which is known as an early consumer society, a place famous for its exhaustive production of books, visual arts and scientific instruments. What happens when we push these objects and their materiality to the centre of our research? How do they invite us to develop new perspectives on the early moder...

Gerard de Lairesse (1641-1711) was the most successful Dutch painter of his time, admired by the patricians of Amsterdam and the court of William iii of Orange. An eighteenth-century critic called him ‘undoubtedly the greatest genius there ever was in painting’.After a century of neglect his rehabilitation began in 1970 when the Amsterdam Rijksmuseum acquired a series of his monumental grisaille paintings. In an international exhibition (Cologne, Cassel, Dordrecht 2007) he was presented a...