We Are The Market! claims a liberal ALL-INCLUSIVITY to push the stretch of our cultural offer in the eye of the final commonplace; the capitalist commons of the high street.

Anticipating to a hegemonic culture encroaching on the city centre, one that’s turning exclusive due an engagement towards a “publics” while narrowing the diversity of cultural production for and by the majority; We Are The Market! commissioned 18 unannounced achievements that offered an alternative. As well as this...

What is at stake in this book is an attempt to de-align the discussion of international art practice from the rhetoric of globalization and an exclusive focus on the contemporary. Instead, it seeks to trace a genealogy of trans-local practices, with histories and methods that link to networks of friendship and solidarity, and of the visual arts as participating in a longer history of contact between individuals motivated by shared interests and struggles. Visual art is not limited to a discip...

Sinds de #metoo-beweging zijn vormen van mannelijk seksueel geweld en machtsmisbruik op grote schaal onder de loep genomen. De focus op ‘toxic masculinity’ heeft invloed op onze perceptie van mannelijke seksualiteit, die het zelfbeeld en het zelfrespect van mannen aanzienlijk beïnvloedt. Mannen worden door anderen beschaamd vanwege hun grensoverschrijdende en minachtende houding; en ze schamen zich intrinsiek voor hun eigen fouten of voor de virulente patronen en tradities binnen de ‘w...

‘Each person’s grief is as unique as their fingerprint. But what everyone has in common is that no matter how they grieve, they share a need for their grief to be witnessed.’

David Kessler (2019)

The pandemic has once again made us more aware of the fragility of life and the importance of being able to properly mourn the dead. Dramaturg Guy Cools has been researching laments and other rituals of mourning. He is particularly interested in how the emotions of loss need to be externalized....

‘Hoe komt het dat we nog altijd barbaren zijn?’ Rond deze indringende vraag van Friedrich Schiller (1775) bepleit Francis Smets de actualiteit van het schone als een levensnoodzakelijke eenheidservaring. Schoonheid (of het gebrek eraan) staat niet los van het leven of de wereld. Wie haar vandaag opnieuw durft te verbinden met de zintuiglijke en spirituele, ethische en metafysische dimensies van het bestaan, ontdekt dat de schoonheid nog onverminderd een bron is van waarheid, vreugde en zi...

What is the role of the curator when organizing digital art exhibitions in offline and online spaces? Analyzing the influence and impact of curating digital art, the book focuses on how the experiments of curators, artists and designers opened the possibility to reconfigure traditional models and methods for presenting and accessing digital art. In the process, it addresses how web-based practices challenge certain established museological values and precipitate alternative ways of understand...

In 100 Things Every Designer Needs to Know About People, 2nd Edition, Dr. Susan Weinschenk shows design and web professionals how to apply the latest research in cognitive, perceptual, and social psychology to create more effective web sites and apps.

The Art Book takes readers on a tour of the world's greatest artistic movements and works - from prehistoric cave painting to postmodern art - and the key ideas behind them. The second book in a new strand of DK's bestselling "Big Ideas" series that focuses on the visual and performing arts, The Art Book brings an innovative approach to the subject, with a strong graphic style and clear, readable text that helps to locate each artist within a broader cultural context.

One of the most important collections of medieval ivory carvings and small sculpture, available to the public for the first time.