'Noem me Ismaël' is een korte roman waarin Herman Melvilles 'Moby Dick wordt' verweven met de levensverhalen van psychiatrische patiënten. Tegelijk is het een fotoboek waarin het terrein van een psychiatrische instelling met infra-rood fotografie is vastgelegd in verstilde, vervreemdende beelden; afdrukken van voor het menselijk oog niet-waarneembaar licht. Door deze techniek te gebruiken verbeelden de kunstenaars de voelbare maar niet zichtbare, geladen sfeer van het terrein.

Dit boek is ...

'An Equine Anthology' weeft niet-lineaire geschiedenissen, getuigenissen en interpretaties van de paardencultuur van het Amerikaanse Zuidwesten tot daarbuiten samen. In plaats van dubbelverhalen over het romantische en het mondaine, over persoonlijkheid en gebruik, presenteert An Equine Anthology de lezer een brede topografische kijk op het paard, een beeld dat veel verder reikt dan dat van de Amerikaanse mythologie. De bloemlezing van M12 combineert poëzie met onderzoeksmethoden die ingaan ...

Future Rural Archive is the fourth Center Pivot publication the Last Chance Press of M12 Studio. Co-publishers: M12 Collective and the Last Chance Press.

Through interdisciplinary approaches, this series explores and connects the changing realities of rural landscapes and communities around the world.

'Tucked inside the covers of this slim volume is a conversation—a chorus, a round. It takes place between the contributions, across a territory of blacktop, botany, and biography. It is as mu...

'You Know I Am Not There' is a line from the song 'Know' by English singer-songwriter Nick Drake. He was well-known to a small circle of fans in his time and died in 1974 at the age of 26. Now, Drake has achieved true cult status and is seen as one of the most important singer-songwriters of the twentieth century. Visual artist Danielle Lemaire traced his footsteps, immersed herself in his mystical view of the world, and sought contact with ‘Drakeheads’, resulting in a series of drawings....

In 'Before I Was Born', Tja Ling illustrates the story of her family’s journey from China to the Netherlands, between the 1930s and 1970s, in 14 interconnected pencil drawings. Out of respect and admiration for the way her (grand)- parents built a life for themselves with all the challenges they have had to face, migrating without any formal education or knowledge of the local language.

These drawings are a chronicle of pride, strength and respect. A narrative of a child discovering why he...

Beginning in the Middle. Conversations on the Post-Soviet, edited and compiled by Elsbeth Dekker and Robbie Schweiger, explores the works, lives and travels of artists coming from a (post-) Soviet context. The conversations delve deeper into questions of art and (de)colonisation in countries in the Caucasus and Central Asia, most of which recently celebrated their 30th anniversary of independence.

Departing from Dutch collections and exhibitions, the conversations try to grapple with question...

Displace explores the process of entering into a dialogue with soil as a living entity. It offers an intimate insight into Elena Khurtova's artistic research and process during her residency at 3bisF, on the site of Montperrin Psychiatric hospital in Aix-en-Provence, and delves into her personal connection with displaced soils.

Extending the sensitive experience of touching red and yellow soils into the materiality of the book, Elena Khurtova and graphic designer Tariq Heijboer experiment wit...

AgriValley is a long-term poetic study of Dutch agriculture. In her cinematographic representations, video artist Mirte van Duppen brings together various production landscapes as a social construct: here, humans and machines live and work side by side. The futuristic, almost dreamlike images give an insight into the enormous impact of technological innovation in the agricultural sector.

Van Duppen shows the contemporary landscape in associative analyses, using visual rhyme and essayistic cam...

Anton Rooskens (1906–1976) made a significant contribution to modern art in the Netherlands as an artist affiliated with the Cobra group, but also afterwards. His paintings are included in leading museum collections in the Netherlands and abroad. It is time for a new, comprehensive publication on this important Dutch twentieth-century painter. Over the past years, art historians Marguerite Tuijn and Eliane Odding have delved into his oeuvre and life. Based on previously unused sources from ...