In his work artist Remy Jungerman searches for an autonomous visual language that does justice to the cultures of the countries that define him: Suriname, the Netherlands and the United States.

'Remy Jungerman. Behind the Forest' focuses on his artistic output of the past fifteen years, including new work created especially for his eponymous solo-exhibition at the Stedelijk Museum Amsterdam.

In his sculptures, panels, installations, collages and screen prints, Jungerman traces pathways of p...

In celebration of its rich history in the arts and design community, the 350-year-old Royal Academy of Fine Arts in Antwerp undertook assembling a five-year overview of its arts research programs. In both text and image, AND/AS reflects on what research in the arts means for the artist, for art education and for the art world. The comfortably sized and well-illustrated book offers at its core visual insight into the strategies, processes and results of artistic research in a variety of disci...

The work of Koen Taselaar is a unique universe in which only he determines the rules. He makes skillful drawings, but also clumsy ceramics and elaborate Tapestries.

Taselaar’s visual language emerged from the grey area in which text is not only meaning but also form. He expresses this in drawn puns, imaginary record sleeves or large psychedelic paintings. In search of ways to process his diverse output, he makes publications and large scale drawings, which function as flat exhibition space...

The monograph Hannah van Bart contains over more than 100 art works (paintings and drawings) and gives an intriguing look at the work of Dutch artist Hannah van Bart (1963). The publication is published in collaboration with the Centraal Museum Utrecht on the occasion of the solo exhibition of Hannah van Bart at Oud Amelisweerd country house. Hannah van Bart is represented by Marianne Boesky Gallery New York & Aspen, and Vielmetter Los Angeles. With a foreword by Artistic director of Centraal...

A tear-off calendar for 2024 by Dutch graphic designer Karel Martens. For each day of the year, Martens has created a unique arrangement, originally constructed using his signature method of printing letterpress monoprints from found metal forms, and then digitized to comprise 365 compositions in total. Every day is a new day!

The everyday connotations of the original, the real, sincere, valid, historical or deep are well-known, and the opposite of the authentic may then be the superficial, false, not-what-it-seems, or just new. Nonetheless 'the real thing' is still a fruitful starting point to analyze changes in the post-digital society. Digital technology is embedded in almost every personal relationship, in labour conditions, and in aesthetic practices. What does this mean for the 'authentic'? To unfold the nuan...