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49,95
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The Norton Anthology of Theory and Criticism

2018 || Hardcover || William E. Cain e.a. || WW Norton & Co

The gold standard anthology for anyone who wants to understand the development and current state of literary theory. Offering 191 pieces by 157 authors, The Norton Anthology of Theory and Criticism, Third Edition, is more comprehensive and more varied in its selection than any other anthology. Forty-eight NEW selections—concentrated mostly on the twentieth and twenty-first centuries—make the book not only the best overview of the history of theory, but also a remarkably up-to-date portrai...

54,95
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A Theory of Adaptation / 2nd edition

2012 || Paperback || Linda Hutcheon e.a. || Taylor & Francis

A Theory of Adaptation explores the continuous development of creative adaptation, and argues that the practice of adapting is central to the story-telling imagination. Linda Hutcheon develops a theory of adaptation through a range of media, from film and opera, to video games, pop music and theme parks, analysing the breadth, scope and creative possibilities within each. This new edition is supplemented by a new preface from the author, discussing both new adaptive forms/platforms and recent...

28,75
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Colonialism/Postcolonialism / 3rd edition

2015 || Paperback || Ania Loomba || Taylor & Francis

Colonialism/Postcolonialism is a comprehensive yet accessible guide to the historical, theoretical and political dimensions of colonial and postcolonial studies. This new edition includes a new introduction and conclusion as well as extensive updates throughout. Topics covered include globalization, new grassroots movements (including Occupy Wall Street), the environmental crisis, and the relationship between Marxism and postcolonial studies.

Loomba also discusses how ongoing struggles such a...

41,95
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Beowulf and Other Stories / 2nd edition

A New Introduction to Old English, Old Icelandic and Anglo-Norman Literatures

2011 || Paperback || Joe Allard e.a. || Taylor & Francis

Beowulf & Other Stories was first conceived in the belief that the study of Old English - and its close cousins, Old Icelandic and Anglo-Norman - can be a genuine delight, covering a period as replete with wonder, creativity and magic as any other in literature.