How can art, science and institutional practices counteract the negative consequences of climate and ecological breakdown? How can these practices and ideas advance systemic change? Worlding Ecologies serves as an anthology of examples and wayward navigational tool, assembling eighteen authors exploring this question from their diverse backgrounds––as scientists, artists, philosophers, activists, theorists and curators––to rigorously approach urgent ecological challenges, including cl...

Graphic Design Is (…) Not Innocent questions ingrained approaches, values and assumptions of graphic design in globalized societies. The publication aims to initiate a dialogue between designers, scholars, critics and commissioners, who investigate responsibilities, potentials, politics, limits and risks of designing visual communication. How innocent is graphic design? Whom is it addressing, whom is it in/excluding? What does it bring about? When defining the role and impact of visual comm...

The world today faces overwhelming ecological and social problems and the concern for material existence on earth is more pressing than ever. Making Matters spells out various roles that visual artists and designers play facing these issues. Collective action is necessary and inevitable.

Collective action often changes the artist’s identity and working habits: from individuality and autonomy to collectivity and collaboration, both locally and globally. These developments have given rise to ...

Over the last few decades the term ‘bootlegging’—a practice once relegated to smugglers and copyright infringers—has become understood as a creative act. Debates about homage, appropriation, and theft that are common in the art world, are now being held in the spheres of corporate branding, social media, and the creative industry as a whole. Today, bootlegging has become fetishized as an aesthetic in and of itself, influencing everything from underground record labels to DIY T-shirts,...

Imaginative Bodies contains a series of in-depth conversations with dancers and choreographers, composers, visual artists, Hip Hop artists, dramaturgs, a lighting designer and a puppeteer. The overall theme is defined by the body, both in relation to the place it takes in the artist's work, and in relation to wider debates on the body in philosophy, science, medicine, anthropology, and the arts. Depending on the affinities of the artist, a more specific theme has been defined for each dialogu...

Geert Lovink is een Nederlandse mediatheoreticus, internetcriticus en auteur van Uncanny Networks (2002), Dark Fiber (2002), My First Recession (2003), Zero Comments (2007), Networks Without a Cause (2012), Social Media Abyss (2016), Organization after Social Media (met Ned Rossiter, 2018) en Sad by Design (2019). In 2004 richtte hij het Institute of Network Cultures op aan de Hogeschool van Amsterdam (HvA). Dit centrum organiseert conferenties, publicaties en onderzoeksnetwerken zoals Video ...

Sculpture as a specific medium is rarely investigated within a deeply cultural, philosophical context, nor within visual art itself. Whilst discussions about installation art, performance art, or other 3D art forms are widespread, the discourse on sculpture seems to be stuck in historical, material, or thematic frameworks. This is a loss for our understanding of art in general, and of sculpture in particular. In order to assess contemporary art practices, one should have a better understandin...

In The Aesthetics of Ambiguity: Understanding and Addressing Monoculture betogen Pascal Gielen en Nav Haq dat multiculturalisme paradoxaal genoeg gebaseerd is op monocultureel denken. De publicatie verkent deze paradox door monocultuur in verschillende hedendaagse contexten te onderzoeken. Het boek wil monocultuur analyseren met behulp van een veelzijdige benadering, door historische, sociale, culturele en ideologische perspectieven samen te brengen. Kunst kan daarbij zowel dienen als middel ...

Effigy hanging and burning, a specific theatrical form of political protest, has become increasingly visible in the news media, particularly in protests against United States military operations in Afghanistan and Iraq, in US domestic politics, and in the Arab Spring. Taking these events as points of departure, Göttke investigates the conditions of this visual genre of protest, its roots and genealogies in a number of countries, its aesthetics and politics.

Effigy protests communicate comm...