In 1999, a short video of a solitary boy kicking an empty bottle up a hill in Mexico City became the first instalment of Children’s Games, a series of works by artist Francis Alÿs (b. Antwerp, 1959). The ongoing project, which now numbers around thirty-five works, has gradually given shape to an extensive collection of videos of children at play. For almost twenty years, Alÿs and his collaborators Félix Blume, Julien Devaux, and Rafael Ortega have been travelling around the world to docu...

Radically subjective. Radically unapologetic. Radically demanding. These are the hallmarks of Dirk Lauwaert’s skill, attitude, and sensitivity, which are the result of radical attention.

Belgian writer and critic Dirk Lauwaert (1944–2013) wrote about images, be they moving or still, historical or contemporary, overfamiliar or unseen. He experienced them intensely, studied them attentively, and connected them to ethical, philosophical, or social issues in texts that invited readers to do t...

Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin’s theory of formal functions, and Hepokoski and Darcy’s Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type...

'Superhero Comics and Scottish Identity' explores the life and career of Glasgow-born, Eisner Award-winning, and internationally acclaimed Marvel, DC, and Image Comics artist Frank Quitely. With a prolific career spanning more than three decades, Quitely played a pivotal role in the British superhero renaissance of the 1990s and 2000s and in the explosive emergence of the Scottish new wave of comics, a movement that included peers like Alan Grant, Mark Millar, and Grant Morrison, but has been...

This book makes the compelling argument that the key to understanding Freud’s clinical writings and psychoanalytical theories lies in his trauma theory. The authors argue that Freud never truly abandoned his initial trauma theory – the seduction theory – in favour of the Oedipus complex and the primacy of fantasy. Instead, Freud progressively enriched his understanding of trauma, expanding his theory to include references to the evolution of human beings and organic life. Trauma runs as...

The 'spatial turn' of missionary places.

Situated at the crossroads of missionary history, imperial history and colonial architecture, the contributions in this volume investigate the architectural staging and spatial implications of the worldwide expansion of Christianity in the nineteenth and twentieth centuries. By looking at specific architectural fragments, analysing the insertion of Christian edifices in colonial urban settings, or unravelling the social understanding of missionary place...