An updated edition of this hugely successful book, the most accessible history of world art ever assembled.

This little book charts iconic designer Yves St Laurent's tumultuous rise to the top, accompanied by facts and quotes from, and about, the man himself and the fashion legacy he built.

Offers an overview on the development of British painting in the eighteenth century, which anticipated themes, and techniques that later became paradigms of modernity. This book focuses on the English context at a time when the growth of artistic standing was accompanied by the country's conquest of hegemony on a political and economic plane.

In this book the leading authority on Japanese art history sheds light on how Japan has nurtured distinctive aesthetics, prominent artists, and movements that have achieved global influence and popularity. The History of Art in Japan discusses works ranging from earthenware figurines in 13,000 BCE to manga, anime, and modern subcultures.

'The ultimate Camp statement: it's good because it's awful.'

These two classic essays were the first works of criticism to break down the boundaries between 'high' and 'low' culture, and made Susan Sontag a literary sensation.

Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Bal...

The ultimate escapist collection of environmentally sustainable houses, cabins, and retreats, this book circles the globe to find the best eco-architecture in the most stunning and remote locations.

The fourth catalogue devoted to the Wyvern Collection, an exceptional private collection of medieval and Renaissance art, comparable to the holdings of many of the world's great museums.

Moving from meetings with artists to the creation of the first public museums in the 18th century, recounting the practice of inspirational figures such as Diaghilev, skipping between exhibitions, continents and centuries, the author argues that curation is far from a static practice.

A kaleidoscopic journey tracing the methods and means of visual communication from the cave paintings of the earliest humans to the ?photograph' of a black hole in deep space.

Since the beginning of our time as humans, we have never stopped making images and inventing channels for visual communication. From the cave dweller creating paintings on a wall at the dawn of civilized time to Instagram influencers today, technology may keep changing, but our need to reach one another, to m...