Photography Theory in Historical Perspective aims to contribute to the understanding of the multifaceted and complex character of the photographic medium by dealing with various case studies selected from photographic practices in contemporary art, discussed in the context of views and theories of photography from its inception.

De Nederlandse landschapsfotograaf Jan Koster (1959) is bekend door zijn fotocollages van panoramische landschappen. Rivieren, kolken, uiterwaarden en weilanden zijn herhaaldelijk onderwerp geweest van een ruimtelijk breedbeeld. Dat Kosters liefde voor het Nederlandse Landschap groot is, blijkt uit het project Dutchscapes. Van 2002 tot en met 2006 heeft hij de Nederlandse kust in een indrukwekkende reeks systematisch fotografisch in kaart gebracht. Net zoals bij de panoramische fotocollages ...

The magazine's focus is to explore images created for practical purposes, in this case, the photographs used to guide solvers of jigsaw puzzles in their endeavours. These pictures, from animals, television and sports to postcard-perfect destinations, are printed on cardboard and cut into various pieces of different shapes that must be fitted together to form the whole. Usually found on the puzzle box's exterior, they are exact duplicates of the completed game - the perfect version of the puzz...

Online auction sites often show photographs where details or sections of the photograph have been covered up due to privacy and/or censorship issues. As a result sellers are forced to come up with smart and practical solutions so that the photograph conforms to privacy and censorship guidelines but still show enough of the image to interest prospective buyers. This version of 'Ein Volk ehrt seiner Führer' was purchased at an online auction. Coins were used to censor the images.

NOWHERE shows a world in which Instagrammability seems to rule; in which the new reality is dictated by the seductive image that may (later) be made of it. Architecture, design and urban landscape, directed by the mechanisms of global big business. The same antiseptic beauty, all over the world.

NOWHERE - Imagining The Global City collects photographer Frank van der Salm’s work of the past 25 years. The image of a consumer-oriented, imaginary metropolis rises from this book, designed by I...

This is the third publication in which Awoiska probes deeply into the essence of the remote unspoiled natural worlds where her images are created. The book is published alongside the music composition ‘The Living Mountain’ written by Thomas Larcher as composer-in-residence at the Concertgebouw in Amsterdam. The music piece draws inspiration from photographs that Awoiska made for Larcher in the mountains of his native Tirol (Austria). The monochrome landscapes are combined with Larcher’s...

Despite our stereotypical ideas on photographic images as snapshots (slices of time), photography is fundamentally a time-based medium. The relationships between photography and time are manifold: time can be directly represented within the image, it can be its theme and philosophical horizon, but it can also represent the global framework in which photographic practices develop and change through time. It is the ambition of this book to bring together the various aspects of time in photograp...

Since the mid-nineteenth century photography has had a central place in cultural encounters within and between migrant communities. Migrant histories have been mediated through the photographic image, and the cultural practices of photography have themselves been transformed as migrant communities mobilise the photographic image to navigate experiences of cultural dislocation and the forging of new identities. Exploring photographic images and the cultural practices of photography as ‘conta...

Susannah Stracer’s 'Another world out there' spans over three decades of outdoors photography. Although her main subject is people, it would be a mistake to call it social. No stories are being told, no deeper context is suggested. A split second of reality is captured and being transported into the universe of aesthetics. Susannah doesn’t participate, she doesn’t interfere - she takes scenes from the everyday outdoors and elevates them into the higher reality of light and shadow, lines...