Dit boek is de eerste monografie van Hedwig Houben. In Grip wordt haar speelse, humoristische, multi-gelaagde werk verkent en besproken. Visueel, rijk geïllustreerd met tekeningen en foto's, documenteert Grip haar performances, videos en sculpturale installaties.

Door verschillende auteurs, maar ook door de kunstenaar zelf, wordt het werk besproken. Grip omvat een beschrijving van haar cast en hoofdpersonen als zowel drie scripts van Houben; een interview van Vanessa Desclaux (associate cura...

What does the Earth sound like? In 'Stations: Listening to the Deep Earth', musician Stuart Hyatt teams up with PRINTtEXT to invite poets, composers, and scientists to answer this question. What begins as a grand science experiment quickly transforms into a lyrical duet with the enchanted ground beneath us.

Hyatt and Enrique Ramirez begin the text with examinations of a whole-Earth sensorium. The text then branches out in three directions—Invocation, Reverie, and Rhapsody—before reconverg...

Anton Rooskens (1906–1976) made a significant contribution to modern art in the Netherlands as an artist affiliated with the Cobra group, but also afterwards. His paintings are included in leading museum collections in the Netherlands and abroad. It is time for a new, comprehensive publication on this important Dutch twentieth-century painter. Over the past years, art historians Marguerite Tuijn and Eliane Odding have delved into his oeuvre and life. Based on previously unused sources from ...

Monografie van beeldend kunstenaar Lon Pennock (1945). 'Lon Pennock: Works' documenteert 15 jaar werk bestaande uit beelden en werk op papier. Met tekstbijdragen van Thomas Köllhofer en Frits Scholten.

By investigating simple forms seemingly borrowed from objective reality, Lon Pennock developed an aesthetic language related to that informing Concrete Art, which draws solely on such geometric elements as the rectangular solid, the cube, the cone or the cylinder.' - Thomas Köllhofer

'Even e...

Mother’s Milk (re)constructs the story of Ilse, the author’s grandmother. Alienated in the psychiatric hospital of La Timone, in Marseille, Ilse resided there from 1952 until her death in 1983. Bringing together archival material, correspondences and conversations narrated via documentary poetry, Marie Ilse Bourlanges assembles the fragments of a family history hiding in plain sight.

An undertow of embodied memory meets the flow of institutional remembrance, drawing parallels between the ...