The Caribbean region faces particular environmental challenges as a result of colonial land use, pressures from tourism and globalisation, as well as climate change. No less affected are its heritage resources, which include natural and cultural elements crucial to economic survival and local identity. This research explores the relationship between land, law and heritage in order to better understand the regulatory failures that undermine heritage protection in the English-speaking Caribbean.

Using a spatial justice lens to examine the legal framework of eight islands in the Lesser Antilles, the analysis posits that domestic heritage laws are ineffective, because they ignore the relevance of local places or landscapes to the formation of heritage. Relying instead on ideas of land as abstract property rights, heritage is presented as a mere visual embellishment that can deteriorate into an unsightly and costly burden for the landowner or State, rather than the outcome of dynamic and locally unique interactions between people and place...

Some people want to be rich, some want to be happy, but most want to be both.

Generally considered to be F. Scott Fitzgerald's greatest novel, The Great

Gatsby is a consummate summary of the roaring twenties, extravagance and a

flamboyant demonstration of the Jazz Age which is a phrase that was coined by

the author. F. Scott Fitzgerald decribes the life of those that are rich and

enjoy life on the background of those that are happy but want to be rich to do

the same. Through the narrati...

Reference work by Koenraad Jonckheere offers a new vision on the history of art

“There are many stories of western art that have been written, almost all of them focused on artists, nations, and traditions. But Jonckheere's daring book is a learned and eminently readable story of the art itself, about the questions that works of art try and often fail to answer, and about what they do to us in the process. It's a catalyst for teaching and thinking anew.”

– Marisa Anne Bass, Yale University

“No other history of art comes close to Jonckheere’s. It’s as engagingly written as Gombrich’s classic The Story of Art. It’s neither pedestrian nor a survey of an out-of-date canon. It’s the most ambitious and original general history of art we have ever had. Vigorous, up-to-date, unprejudiced and lively, it’s a history of art of our time and for our time....