The Court for International Climate Crisis (CICC) is a more-than-human tribunal founded by writer, academic, lawyer, and activist Radha D'Souza and artist and propaganda researcher Jonas Staal in 2021. The aim of the CICC is to prosecute climate crimes committed by states and corporations, not only in the past and present, but also in the future. Central to this book is the first iteration of the project, commissioned and staged by Framer Framed in Amsterdam, during which public hearings were...

Beeldend kunstenaar Pii Daenen produceert al ruim 50 jaar sculpturen, installaties, video’s, foto’s, prints, artefacten, multiples, interieur- en meubelstukken. Hij haalt zijn inspiratie vooral uit de elementaire menselijke behoeftes en technologische ontwikkelingen en geeft met zijn kunst met humor commentaar op hoe wij hier als mens mee omgaan.

In 2012 begon Pii zijn werk te archiveren in FileMaker Pro. Zijn totale oeuvre is hierdoor een visuele encyclopedie geworden; een kunstwerk an s...

With elementary materials – wood, paper, clay, tape, paint – artist Fleur van Dodewaard creates ephemeral compositions that play with the possibilities of photography, sculpture, and painting. Situated at the intersection of these disciplines, her work uses photography to achieve the final result. ‘The Fold’ presents ten years of practice, reshaped according to the principles of book production methods such as folding, cutting, and binding. Operating like a “making-of” documentary...

Situated as it is at the very turn of the century, and questioning from the outset the inflation and desubstantialisation involved in the hegemony of images, Michel Mazzoni’s photographic practice is an image factory or rather an image-thinking factory. An image which outflanks it and decompartmentalises it in multifarious ways, from its installation in situ to its editorial deployment. An image qua cultural artefact in its capacity to link us to the world in a shared sense of perpetual pre...

Accountable Temporary Expedients is a practice that challenges the ability of dancers to attend to multiple stimuli at once and instigate situations which embrace confusion, doubt and uncertainty. This work stands in response to the notion that dance urges to emancipate. Baldini’s current critique sees dance as being "stuck, gooey, a victim of its own habit and, so in love with itself, it does not recognise its limitations. It is self-seduced, self-sufficient, and self-indulgent. Dance is n...

As one of the greatest pioneers of international conceptual art, Italian artist Piero Manzoni (1933-1963) maintained strong ties with the Netherlands. The unlocking of his intensive correspondence with Rotterdam gallery owner Hans Sonnenberg has revealed the extent of Manzoni's influence on the post-war avant-garde in the Netherlands.

During his short artistic career Piero Manzoni produced more than a thousand canvases, sculptures and other objects. He radically rejected the conventional cont...

Opera Village, a participatory art experiment by the late German multimedia artist Christoph Schlingensief, serves as a testing ground for a critical interrogation of Richard Wagner’s notion of the Gesamtkunstwerk. Sarah Hegenbart traces the path from Wagner’s introduction of the Gesamtkunstwerk in Bayreuth to Schlingensief’s attempt to charge the idea of the total artwork with new meaning by transposing it to the West African country Burkina Faso. Schlingensief developed Opera Village ...

With the book ‘Saudade’, Laura makes a call to the ambassadors of the word. She hopes to ‘contaminate’ as many people as possible with her love for this word, so it might become shared and

commonplace.

When she heard the word and the meaning sinked in after repetition, she experienced a kind of homecoming. It was as if everything fell into place; her oeuvre and that which pushed her to paint suddenly had a common denominator, a flag that covered the load. And she discovered something...