This pioneering study charts the one-way traffic of cultural and historical objects during five centuries of European colonialism. It presents abundant examples of disappeared colonial objects and systematises these into war booty, confiscations by missionaries and contestable acquisitions by private persons and other categories. Former colonies consider this as a historical injustice that has not been undone.Former colonial powers have kept most of the objects in their custody. In the 1970s ...

This is the first study to examine in detail ritual objects known as 'Lamak', a fascinating and unique form of ephemeral material culture which is a prominent feature of Balinese creativity.A lamak is a long narrow ritual hanging that is an essential requirement at almost all rituals in Bali. It is hung from altars and shrines at temple festivals and on festive holy days. Made usually of palm leaves, it is by nature ephemeral and it is made time and again. Even though permanent forms of the l...

This book explores a complex relational assemblage, a collection of 1481 Pacific artefacts brought together by Captain Edward Henry Meggs Davis, during the three voyages of HMS Royalist between 1890-1893. The collection is indicative not just of a period of colonial collecting in the Pacific, but also the development of ethnographic collections in the UK and Europe. This period of history remains present in the social and cultural lives of many Pacific Islanders today.

Using the collections as...

In 2012, a chance encounter between a curator and a century-old expedition journal occurred in the archives of a Cambridge museum. The journal was written by a young anthropologist, Paul Denys Montague, and recorded his travels in the South Pacific Islands of New Caledonia in 1914, where he became fascinated with the culture of the local Kanak people. Returning to Cambridge at the outbreak of World War One, Montague deposited his journal and a collection of Kanak objects in the Museum of Arch...

In this cahier, art historians Alette Fleischer (PhD) and Bart Krieger (M.A.) unravel the hidden messages of the black clocks of the Parnassia Collection and categorize them in a novel way. They have aimed to contextualize the pendulum clocks au Noir in the historic timeframe they were created in and displayed (ca 1790-1830) and uncovered some of their iconographic secrets with links to the transatlantic slavetrade, Eurocentrism and the French Enlightenment. Moreover, the two art historians p...