In this post-digital age, digital technology is no longer a revolutionary phenomenon but a normal part of everyday life. The mutation of music and film into bits and bytes, downloads and streams is now taken for granted. For the world of book and magazine publishing however, this transformation has only just begun. In this book, Alessandro Ludovico re-reads the history of media technology, cultural activism, and the avantgarde arts as a prehistory of cutting through the so-called dichotomy be...

This book explores the origins, evolution, and practice of design fiction—creating tangible, evocative prototypes from possible near futures to examine decision-making consequences. As the world grows more complex and unpredictable, anticipating the future is no longer optional—it is essential. From climate change and economic instability to rising inequality and fragile institutions, uncertainty is everywhere. For too long, major decision-makers have viewed the future as a business exerc...

When visiting Japan, one of the first things that stand out is the calm and respectful way the Japanese behave. A weaver meditatively repeats the exact same movement a thousand times a day, while the tea master dedicates every serene gesture to the harmony of the room. Although in the West we might find it hard to explain this mindful way of moving, the Japanese have a word for it: shosa.

In this book, design journalist Ringo Gomez and photographer Rob Walbers, who share a long-standing fasci...

This book frequently uses “we” - referring both to all of us as citizens of Earth, and to Mouna Andraos and Melissa Mongiat, along with their team at Daily tous les jours, as they explore new ways of living together. It is an invitation into their journal. For over fifteen years, they have created interactive public art around the world, using music, movement, and storytelling to spark connection, joy, and care among strangers. Through this book, they share an evolving practice that blend...

"SKETCHES BY SEYMOUR" was published in various versions about 1836. The copy used for this Edition has no date and was published by Thomas Fry, London. Some of the 90 plates note only Seymour's name, many are inscribed "Engravings by H. Wallis from sketches by Seymour."

The printed book appears to be a compilation of five smaller volumes. From the confused chapter titles the reader may well suspect the printer mixed up the order of the chapters.

The complete book in this paperback edition is ...

["The Elements of Drawing" was written during the winter of 1856. The First Edition was published in 1857; the Second followed in the same year, with some additions and slight alterations. The Third Edition consisted of sixth thousand, 1859; seventh thousand, 1860; and eighth thousand, 1861.

The work was partly reproduced in "Our Sketching Club," by the Rev. R. St. John Tyrwhitt, M.A., 1874; with new editions in 1875, 1882, and 1886.

Mr. Ruskin meant, during his tenure of the Slade Professors...

MODERN scientific publications, although they may in some or even many cases equal in their scientific quality the memoirs of earlier workers, do not, on the average, reach a high standard as regards illustration. For instance, in Great Britain botany is pre-eminent in its morphological aspects; it should therefore follow that the illustrations, which form so important a part of such papers, should be beyond reproach.

This is not always so, a fact which must be patent to anyone with the sligh...

Een overzicht van vijftig onderbelichte design iconen, elk rijkelijk geïllustreerd en toegelicht met interviews of essays

Met bijdragen van meer dan dertig toonaangevende professionals uit de Nederlandse design-, architectuur- en modewereld, onder wie Amanda Pinatih (Stedelijk Museum Amsterdam), Miriam van der Lubbe (creatief directeur Dutch Design Week), Natalie Dubois (curator Centraal Museum Utrecht) en Janice Deul (cultureel-activist)

Met meer dan 100 foto’s van oude en nieuwe ...