For the first time Sámi artists will present their art and worldvies at the Biennale Arte in Venice, 2022, as a sovereign call representing Sápmi, (Sámi homeland that spans Scandinavia and the Kola Peninsula). The Sámi Pavilion is a Čatnosat (= connections, networks) project that revolves around three key elements: trans-generational relations, holistic Sámi knowledge, and learning and Sámi spiritual perspectives. This book serves as a project in its own right, to provide further refle...

Toen de Fagradalsfjall-vulkaan in IJsland op 19 maart 2021 uitbarstte, was de Belgische fotograaf en natuurgids Jeroen Van Nieuwenhove ter plaatse met zijn camera. Zijn doel? Het vulkanische spektakel ervaren en vastleggen vanop de eerste rij. Het werd het begin van een unieke fotografische reis, die al zijn verwachtingen overtrof.

In dit boek deelt Jeroen zijn verzameling foto’s van dag één van de uitbarsting tot en met de laatste dag. Daarnaast biedt hij je een uniek inzicht in hoe de f...

Japanisches Kunsthandwerk ist einzigartig auf der Welt und seine Qualität unerreicht. Das Buch präsentiert und feiert diese Kultur.

Über Jahrhunderte und Generationen haben japanische Handwerker ihre Produkte immer wieder verbessert¿-¿ob Schwert, Keramik, Holzsäge, Pinsel oder Angelrute. Man kann diese Gegenstände heute sicherlich günstiger oder schneller herstellen, als diese Handwerker es tun, aber auf keinen Fall besser: Das Streben nach Vollkommenheit ist ihre Verpflichtu...

Seeing comes before words. The child looks and recognizes before it can speak. But, there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world. The relation between what we see and what we know is never settled. This is a book on art in various languages.

Gainsborough is one of the most appealing artists of the 18th century. The author draws on recently discovered material to provide a fresh perspective on both the life and art of this master.

A redefinition of contemporary Chinese art of the last forty years in the context of unprecedented cultural, political and urban transformation.

A history of modern and contemporary art in California from the early 20th century to the present day.

Documenting the work of graffiti writers who illegally painted subway cars in New York City, the authors recall how they gained entry to the New York graffiti community in the 1970s and 1980s and describe the techniques that they used to photograph it.