Read This if You Want to Take Great Photographs of Places is an indispensable guide with essential techniques for photographing landscapes, cityscapes, architecture and interior

Since the late 1960s Peter Downsbrough has been an important figure in contemporary art, associated with major international art movements as minimal art, conceptual art, and visual poetry. In his artistic work he explores various fields including sculpture, architecture, books, film, and photography.

This book provides, for the first time, a profound insight into Downsbrough's diverse and complex use of photography within his artistic work over the last 40 years. A substantial essay by Alex...

What scares a nation - gunmen who hold children ransom or infamous terrorists? Useful Photography 011 rifles through the history of human targets culled from US shooting ranges. In this age of high impact gun crime, are the participants seeking protection or accelerating the violence?

The Nord-Pas-de-Calais mining region, bordering on Belgium, is part of northern Europe’s historical centre of heavy industry, which extends as far as the Ruhr area in Germany. With the end of coal mining in the 1980s, the Lille region transitioned to new economic activities, particularly within the cultural and creative industries, taking advantage of its strategic location midway between Paris, London and Brussels. After de-industrialisation and the 1984 opening of the Lewarde Mining Museu...

In Colonial Legacies, Gabriella Nugent examines a generation of contemporary artists born or based in the Congo whose lens-based art attends to the afterlives and mutations of Belgian colonialism in postcolonial Congo. Focusing on three artists and one artist collective, Nugent analyses artworks produced by Sammy Baloji, Michèle Magema, Georges Senga and Kongo Astronauts, each of whom offers a different perspective onto this history gleaned from their own experiences. In their photography an...

Throughout the apartheid era South Africa maintained a wide-reaching propaganda apparatus. At its core was the information service that strongly capitalised on photography to visually articulate the minority regime’s racist political messages, promote Afrikaner nationalism, and consolidate white rule. By unearthing a substantial corpus of photographs that so far have been hidden in archives, this book offers a distinctive perspective on the institutional context of the regime’s photograph...

For almost twenty years the Dutch artists Jan Dietvorst and Roy Villevoye have been exploring issues as diverse as anthropological representation, the conventions of documentary filmmaking and culture as a means of adaptation and re-enactment.

The publication EVIDENCE is published on the occasion of their first major solo exhibition EVIDENCE in Belgium, which was from 13 May to 16 July 2017 in Argos, Brussels. The method of editing used in their collective film work has been applied in this...

Outcome of the multifaceted project In and Out of Brussels - book & DVD

In and Out of Brussels examines four Brussels-based artistic projects that converge in critically investigating the figuration of Africa in the image economy of the West: Herman Asselberghs's Speech Act (2011), Sven Augustijnen's Spectres (2011), Renzo Martens's Episode III - Enjoy Poverty (2008) and Els Opsomer's Building Stories: That Distant Piece of Mine (2012).

While each is a singular film, together they reveal Afr...

Lee Miller (1907-1977) had many lives: she was a model, muse, photographer, war correspondent and Surrealist chef. It is well known that she was 'discovered' on the street at nineteen and that her face appeared on the cover of Vogue a few months later, that she inspired numerous famous illustrators, photographers and artists, and that she flouted convention by picking up a camera and making a name for herself with seductive fashion photos, Surrealist experiments and penetrating war reports. T...

Fernand Deligny (1913-1996), ‘poet and ethologist’, is mostly known for his work with autistic children and for his influence on the revolutions in French post-war psychiatry. Though neither director nor a theorist of the image, cinema is constantly called into his social, pedagogical, and clinical experimentations. More interested in the processes of making, he distinguishes ‘camering’ from filming, thus emphasizing not the finished film but a ‘film to come’. This volume provides...