This publication emerges from the 2023 London Design Biennale. It involves an international working group facilitated by Delany Boutkan and Setareh Noorani, both researchers at the Nieuwe Instituut, which confronted the intricate and often uncomfortable dynamics of collaboration. Through public sessions and intimate dialogues in London and Rotterdam, the realities of collaboration and collectivity were examined. Two transcripts from the public events are reworked in this publication, along wi...

De Boekenwereld is een boeiend en gevarieerd tijdschrift voor iedereen die interesse heeft in het oude en moderne boek en de prentkunst. Zowel liefhebbers en antiquaren, als wetenschappers en verzamelaars worden op hun wenken bediend door de talrijke artikelen, die bovendien prachtig geïllustreerd zijn. De diverse onderwerpen, zoals de geschiedenis van de boekhandel en uitgeverij, typografie, bibliografie en leescultuur, geven u een volledig beeld van de wereld van boek en prent.

Het tijdsch...

Talking Things is het levensverhaal van Nederlands designicoon Gijs Bakker (1942), verteld door hemzelf aan de hand van zijn baanbrekende product- en sieraadontwerpen. Hoogstpersoonlijk voert hij de lezer langs zijn inspiratiebronnen: zijn grote liefde en partner Emmy van Leersum (1930−1984), zijn jaren aan de Design Academy in Eindhoven, zijn samenwerking met Renny Ramakers voor Droog Design, zijn vele succesvolle ontwerpen en de internationale contacten.

Talking Things is een levensversl...

IT is much easier to understand and remember a thing when a reason is given for it, than when we are merely shown how to do it without being told why it is so done; for in the latter case, instead of being assisted by reason, our real help in all study, we have to rely upon memory or our power of imitation, and to do simply as we are told without thinking about it. The consequence is that at the very first difficulty we are left to flounder about in the dark, or to remain inactive till the ma...

Bedrijven veranderen, en om zich aan te passen en bij te blijven, moeten ze flexibel en snel zijn. Dit vraagt om nieuwe tools. Visueel Creëren leert je hoe je deze tools op de juiste manier gebruikt, verbetert je visuele vakmanschap en verbreedt je vaardigheden. Het is een praktisch en toegankelijk handboek om zakelijk tekenen te integreren in je dagelijkse werk en communicatie, en bouwt voort op het vorige boek Visueel Werken.

Het boek neemt je mee door een nieuwe reeks oefeningen, techniek...

In this post-digital age, digital technology is no longer a revolutionary phenomenon but a normal part of everyday life. The mutation of music and film into bits and bytes, downloads and streams is now taken for granted. For the world of book and magazine publishing however, this transformation has only just begun. In this book, Alessandro Ludovico re-reads the history of media technology, cultural activism, and the avantgarde arts as a prehistory of cutting through the so-called dichotomy be...

This book explores the origins, evolution, and practice of design fiction—creating tangible, evocative prototypes from possible near futures to examine decision-making consequences. As the world grows more complex and unpredictable, anticipating the future is no longer optional—it is essential. From climate change and economic instability to rising inequality and fragile institutions, uncertainty is everywhere. For too long, major decision-makers have viewed the future as a business exerc...

This book frequently uses “we” - referring both to all of us as citizens of Earth, and to Mouna Andraos and Melissa Mongiat, along with their team at Daily tous les jours, as they explore new ways of living together. It is an invitation into their journal. For over fifteen years, they have created interactive public art around the world, using music, movement, and storytelling to spark connection, joy, and care among strangers. Through this book, they share an evolving practice that blend...

"SKETCHES BY SEYMOUR" was published in various versions about 1836. The copy used for this Edition has no date and was published by Thomas Fry, London. Some of the 90 plates note only Seymour's name, many are inscribed "Engravings by H. Wallis from sketches by Seymour."

The printed book appears to be a compilation of five smaller volumes. From the confused chapter titles the reader may well suspect the printer mixed up the order of the chapters.

The complete book in this paperback edition is ...