Welcome to a world where everything seems “wrong”: eating meat, smoking, sitting, flying, data, campfires, flowers on the table—even your houseplant might be a climate offender.

We’re flooded with dos and don’ts, as if daily life must constantly be corrected by a moral authority. But what if we didn’t shrink back in shame? What if we moved forward—with imagination?

The NO DESIGN MANIFESTO is a call for creative freedom.

At Next Nature, we don’t believe in going back to natur...

From a local tradition coming out of a small historical world, to a tradition involved in a vast queer-worling of making, 'The Last Basket Makers from Risa' refers to a lineage of artisans producing the enigmatic Hedared basket – from Lennart, the basket's first "last maker" – to Lennart's great-grandson, Fahdel Mourali. This is his report on an open-ended process of indentifying and crafting the material of kinship.

This extensively illustrated sourcebook brings together nearly 400 of William Morris's ingenious textile and wallpaper patterns, arranged decade by decade, while offering a fascinating overview of Morris's work and a compelling glimpse into his life. Featured are famous designs such as Trellis (1862), Honeysuckle (1876), and Strawberry Thief (1883), alongside lesser-known patterns by Morris and Morris & Co. designers including May Morris, Kate Faulkner, and John Henry Dearle. This invaluable ...

Designers do far more than visualize new products; they are called upon to imagine a future and bring it to life through visuals. Whether such futures begin as elaborate maps and diagrams of emerging technology or speculative "world-building," the contemporary designer's skill set must cover the entire spectrum, from abstract to representational, and from "low fidelity" to "high fidelity" visualizations.

The advent of tablet-based sketching, VR sketching, and hybrids bring new and more intuit...

DRAWING is the expression of an idea: “Art must come from within, and not from without. This fact has led some to assert that the study of nature is not essential to the student, and that careful training in the study of the representation of the actual appearance is mechanical and harmful. Such persons forget that all art ideas and sentiments must be based upon natural objects, and that a person who cannot represent truly what he sees will be entirely unable to express the simplest ideal c...

This book takes a deep dive into visual design structures, focusing on the timeless principles of movement, space, and composition. While design tools and technologies continue to change, these core principles remain just as important. Written in a clear and engaging style, it’s perfect for students looking to build their foundation in design, and also a great resource for professionals who want to revisit or sharpen their skills.

The book goes beyond the basics of design, introducing fresh...

'Time to Play' is Underware’s exploration of the dynamic relationship between typography, language, and human interaction. With their trademark experimental approach, Underware challenges readers to rethink the role of type beyond conventional boundaries. At the heart of the book is the typeface Kermit - originally developed for children and widely accessible as part of Microsoft Office - making it one of the first writable fonts available to a mass audience. Despite its playful appearance,...

This publication emerges from the 2023 London Design Biennale. It involves an international working group facilitated by Delany Boutkan and Setareh Noorani, both researchers at the Nieuwe Instituut, which confronted the intricate and often uncomfortable dynamics of collaboration. Through public sessions and intimate dialogues in London and Rotterdam, the realities of collaboration and collectivity were examined. Two transcripts from the public events are reworked in this publication, along wi...

IT is much easier to understand and remember a thing when a reason is given for it, than when we are merely shown how to do it without being told why it is so done; for in the latter case, instead of being assisted by reason, our real help in all study, we have to rely upon memory or our power of imitation, and to do simply as we are told without thinking about it. The consequence is that at the very first difficulty we are left to flounder about in the dark, or to remain inactive till the ma...