Dutch artist Kees Visser is one of the most important representatives of today’s geometric and conceptual art. His work is characterized by an investigation into color and form and is inspired by Mondriaan, De Stijl and Matisse. His long career is closely linked to the evolution of Icelandic art in the 1970s and 1980s, where Visser was part of a cosmopolitan art scene with a strong focus on Fluxus, minimalism and conceptual art. Visser combined these influences in his research into shape an...

Tilla Durieux (1880-1971) war gefeierter Theater- und Filmstar, moderne Frau der 1920er-Jahre, politisch engagierte Zeitgenossin und galt als die am meisten porträtierte Frau ihrer Epoche. Ihre Rollen waren ebenso vielfältig wie auch die Liste der Künstler*innen, denen sie Modell saß: unter ihnen Auguste Renoir, Max Slevogt, Lovis Corinth, Franz von Stuck, Charley Toorop, Ernst Barlach, August Gaul, Mary Duras, Emil Orlik, Sasha Stone, Oskar Kokoschka, Olaf Gulbransson, Max Oppenheimer o...

“There is a lot of libido in the works of Tomislav Nikolic. An excess of desire which throbs and pulsates — palpitates — like some disco night atmosphere full of adrenaline and exaggerated lust. No!, you say. Nikolic’s works are exquisite, beautiful, serene, transcendent, mystical, spiritual. Yes, Ok they are, but they are also a bacchanal, carnival and a mardi gras; a late night in a mosh pit when things get loose and hyperventilated. They are all — every¬thing. Yet restrained. Co...

Nadia Naveau combineert in haar werk ernst met speelsheid. Als geen ander weet de beeldhouwster de toeschouwer te verleiden en een gevoel van vervreemding op te roepen.

Let’s Play it by Ear is niet alleen een terugblik op twintig jaar kunstpraktijk maar ook, net zoals haar sculpturen, een visuele puzzel van materialen en referenties aan vroeger en nu.

Publicatie bij de expo Nadia Naveau – Bringer Together in de Warande in Turnhout van 12 december 2021 tot 3 april 2022.

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Reference work by Koenraad Jonckheere offers a new vision on the history of art

“There are many stories of western art that have been written, almost all of them focused on artists, nations, and traditions. But Jonckheere's daring book is a learned and eminently readable story of the art itself, about the questions that works of art try and often fail to answer, and about what they do to us in the process. It's a catalyst for teaching and thinking anew.”

– Marisa Anne Bass, Yale University

“No other history of art comes close to Jonckheere’s. It’s as engagingly written as Gombrich’s classic The Story of Art. It’s neither pedestrian nor a survey of an out-of-date canon. It’s the most ambitious and original general history of art we have ever had. Vigorous, up-to-date, unprejudiced and lively, it’s a history of art of our time and for our time....