Leonardo's views of aesthetic are all important in his philosophy of life and art. The worker's thoughts on his craft are always of interest. They are doubly so when there is in them no trace of literary self-consciousness to blemish their expression. He recorded these thoughts at the instant of their birth, for a constant habit of observation and analysis had early developed with him into a second nature. His ideas were penned in the same fragmentary way as they presented themselves to his m...

INSTANT NEW YORK TIMES BESTSELLER
A BookPage Best Nonfiction Book of 2024

From the bestselling author of Cultish and host of the podcast Sounds Like a Cult, a delicious blend of cultural criticism and personal narrative that explores our cognitive biases and the power, disadvantages, and highlights of magical thinking.

Utilizing the linguistic insights of her “witty and brilliant” (Blyth Roberson, author of America the Beautiful?) first book Wordslut and the so...

In the 1930s and 1940s, London was a metropolis of artistic exile and a place of refuge from Nazi persecution. London Exile is the first book to look at the British capital as a sanctuary for modern artists. The city presented its new arrivals with opportunities and challenges: exiles established galleries, founded publishing houses and magazines, collaborated with local artists, organised exhibitions, published their work, and built networks. Artistic and theoretical production flourished in...

From the bestselling author of How Fascism Works, a global call to action that tells us “why the past is a frontline in the struggle for a future free of fascism” (Jeff Sharlet, New York Times bestselling author) as it reveals the far right’s efforts to rewrite history and undo a century of progress on race, gender, sexuality, and class.

In the United States, democracy is under attack by an authoritarian movement that has found fertile ground among the country’s...

Is it best to screen the error for the sake of preserving the art? Or should the art be sacrificed for the sake of truthfulness? Again and again in history a dominant church has utilised art to maintain its sway over men. Reformers (early Christians, Mohammedans, Puritans, and others) have perceived that art bound people to the old faith, and they were angry with art.

These works, in chronological order,are " My Confession ". A Criticism of Dogmatic Theology, which has never been translated....

This posthumously published essay presents Hans De Wolf's sharp analysis of one of the greatest rivalries in art history: a rivalry between two centuries, embodied by two of their most prominent figures: Courbet for the 19th and Duchamp for the 20th Century. It is a story in which, in a certain sense, one becomes the perfect enemy of the other. This constellation helped Duchamp to forge his own path, creating an artistic response to Courbet's work with equal relevance and monumentality. The c...

Art, with its finite means, cannot hope to record the infinite variety and complexity of Nature, and so contents itself with a partial statement, addressing this to the imagination for the full and perfect meaning. This inadequation, and the artificial adjustments which it involves, are tolerated by right of what is known as artistic convention; and as each art has its own particular limitations, so each has its own particular conventions. Sculpture reproduces the forms of Nature, but discard...

THE LOVE between man and woman has been told in story and poem since long before the days of Sappho. It forms, indeed, the subject of the great bulk of what we call literature. In music, love's domain is less extended. With the exception song and the opera, most of the greatest music has, in its title at least, no hint of the great heart historyof human kind.

In this respect the plastic arts are more allied to music than to literature. The masterpieces in painting and sculpture generally not ...