What constitutes the invisible layers of an architecture school? The EAAE Annual Conference of 2019 is titled ‘The Hidden School’, aiming to discuss an architecture school’s true character, the substance and the quality of architectural education in the broadest sense, and that which is beyond the stated curricula, yet — whether concretely manifested or subliminally perceived — embodies the culture of the school.

The conference, hosted in 2019 by the Faculty of Architecture in Zagre...

Responding to the United Nations’ Sustainable Development Goal No. 11 to ‘make cities and human settlements inclusive, safe, resilient and sustainable’, Inclusive Urbanism reveals a wide variety of approaches to promoting social inclusion. Questions of architecture and urbanism are considered alongside those of landscape design, urban geography and city planning.

As the title suggests, the content is divided into three parts: research, education and practice. A conceptual framework is o...

At a three-day conference held at the TU Delft on November 6-8, 2019 researchers, scholars, activists, practitioners and artists presented individual papers that addressed the relationships between spatiality, mediation and conflict from a variety of perspectives.

In addition to academic paper contributions, the conference welcomed other proposals in different formats and media: audio-visual material (film, video, photography), digital or physical archives, experimental design proposals, inst...

Landscape design focuses on the construction and articulation of outdoor space and results in landscape architectonic compositions. In order to communicate about three-dimensional forms and functions, vocabulary, representations, and tools (in terms of spatial-visual characteristics) are of fundamental importance for landscape architects to describe, interpret, and manipulate landscape spaces. While combining design vocabulary and landscape indicators, qualitative and quantitative mapping app...

...

The Modern movement began in the 1920s when a small group of young architects felt all that had gone before should be rejected and that architectural design should start afresh. This fresh start, they declared, should be based on modern technology and a new, modern approach to life. Their innovations became the 20th century’s dominant movement in architecture, crystallizing into the international style of the 1920s and '30s. In Exploding the Myths of Modern Architecture, Malcolm Millais exp...

Who were Le Corbusier’s photographers? The question is seldom asked yet is germane to under­standing the architect’s work. Le Corbusier used photography to promote modern architecture in ways no others did. He directed the photography of his buildings, selected the images that he liked, cropped them, abstracted them, and placed them on the pages of his many books. He mediated the medium of photography mani­pulating visual facts in an era when “the camera never lied”. Yet always ...