At a three-day conference held at the TU Delft on November 6-8, 2019 researchers, scholars, activists, practitioners and artists presented individual papers that addressed the relationships between spatiality, mediation and conflict from a variety of perspectives.

In addition to academic paper contributions, the conference welcomed other proposals in different formats and media: audio-visual material (film, video, photography), digital or physical archives, experimental design proposals, inst...

Landscape design focuses on the construction and articulation of outdoor space and results in landscape architectonic compositions. In order to communicate about three-dimensional forms and functions, vocabulary, representations, and tools (in terms of spatial-visual characteristics) are of fundamental importance for landscape architects to describe, interpret, and manipulate landscape spaces. While combining design vocabulary and landscape indicators, qualitative and quantitative mapping app...

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Dit werkboek geeft handvatten voor kerkrentmeesters, CvB leden en bouwcommissieleden voor praktische zaken op het gebied van budget, planning, vergunningen etc. Ook is er aandacht voor ‘het waarom’ van de verbouwing. Wat is de aanleiding en wat is het doel? En hoe betrek je de gemeente op een positieve manier bij het hele proces?

Naast informatie van professionals, delen kerkrentmeesters, CvB leden en bouwcommissieleden die al een verbouwing achter de rug hebben hun ervaringen. Wat had...

The Modern movement began in the 1920s when a small group of young architects felt all that had gone before should be rejected and that architectural design should start afresh. This fresh start, they declared, should be based on modern technology and a new, modern approach to life. Their innovations became the 20th century’s dominant movement in architecture, crystallizing into the international style of the 1920s and '30s. In Exploding the Myths of Modern Architecture, Malcolm Millais exp...

Who were Le Corbusier’s photographers? The question is seldom asked yet is germane to under­standing the architect’s work. Le Corbusier used photography to promote modern architecture in ways no others did. He directed the photography of his buildings, selected the images that he liked, cropped them, abstracted them, and placed them on the pages of his many books. He mediated the medium of photography mani­pulating visual facts in an era when “the camera never lied”. Yet always ...

With this work in the form of a book, Maria Lalou & Skafte Aymo-Boot present the phenomenon of a particular pending architecture mutely present all over Athens. The concrete skeletons of polykatoikia – multi-story apartment buildings – are emblematic of the development of modern Greece throughout the second half of the twentieth century.

The book deals with the politics of urban space by treating the unfinished buildings as study objects and tracing their individual histories. Through the...