"In dit huis zullen de muren lesgeven", verkondigde het sovjet persbureau Pravda in 1962 bij de opening van het Paleis voor Jonge Pioniers in Moskou. Terloops toont deze verklaring een steeds terugkomend motief in de geschiedenis van de architectuur voor de jeugd: de aanspraak op te kunnen voeden door middel van de gebouwde omgeving. De jeugd werd gezien als ideale doelgroep voor deze sociaal-constructivistische benadering, vanwege hun ambivalente positie: wel objecten van sociale wetgeving m...

Hoe verhoudt het menselijk lichaam als levend organisme zich tot toegepaste technologieën in de medische zorg? In Critical and Clinical Carthographies buigen Nederlandse en internationale experts op het gebied van robotica, mechatronica, medische technologie, design en architectuur zich over dit onderwerp.

Critical and Clinical Carthographies komt voort uit een transdisciplinaire conferentie georganiseerd door de Theorie afdeling en Hyperbody van de Faculteit Bouwunde aan de TU Delft,in ...

A E I OU Articles, Essays, Interviews and Out-takes. The name itself says something of the nature of Tony Fretton's collected writing.

As an architect he has said 'Words, the most collective form of communication, thread their way through the projects, in explanations to clients and constructors, and as my means, along with drawings, of explaining the projects to my collaborators, to myself and to the wider world.'

As Professor of Architectural Design-Interiors at TU Delft, he wrote: 'Interi...

For both Jo Kruger (1914–1983) and Rob Hootsmans (1962) the architecture of the Courthouse in Zwolle, the Netherlands, was a long time in the making. Kruger began in 1963 with his project for a combined district and subdistrict court, which took fourteen years to be completed. In 2004, while still working for the Government Building Agency, Hootsmans began exploring how Kruger’s building could be expanded. He finished a new extension in 2013, and completed the renovation of Kruger’s ori...

Architecture has always been found in a space between its economic and cultural values. As distinct from the intrinsic values attributed to the visual and performing arts, literature and music, architecture's values are often seen to be compromised by, or contingent upon, forces outside of the discipline—on property prices, real estate markets and the vicissitudes of local and global economies. Such intersections of cultural and economic values are especially conspicuous in architectural he...

Al meer dan vijftig jaar is het Sjanghaipark een groene vrijplaats tussen de moderne stempels van Utrecht-Overvecht. Buurtbewoners en kunstenaars formuleerden samen het ongebruikelijke uitgangspunt: de identiteit van dit park ligt niet vast, maar vormt zich doorlopend. Naar het spel van kinderen, de wandelgang van ouderen, de planten die aanwaaien, kortom naar de tijd. Daarmee deed het Sjanghaipark aan placemaking avant la lettre en was het park al klimaatbestendig toen daar nog geen beleid v...

'Reuse to Reduce. Architecture within a Carbon Budget. The Case of BioPartner 5'is a plea by Popma ter Steege Architects to embrace the circular transition as a chance for a more meaningful architecture. An architecture that employs the necessary reuse of building materials to rethink our needs, way of building and aesthetics. It is a plea for design shaped by planetary boundaries and the use of a carbon budget as a tool for this. It wants to help shift the discourse on circularity towards de...

Noesis should not be mistakenly identified with cognition. It is essential to steer clear of conflating cognition with re-cognition, which involves a stagnant affirmation of sameness or a repetitive process lacking in heterogeneity. In contrast, noetics shares a common root with noema, translating literally as ‘meaning’ or, in a broader sense, as ‘sense.’ However, it is important to note that sense is not pre-existing; its production is inherently embodied, embedded, enactive, extende...