Imagine only two artists and one patron involved in the world-famous Ghent Altarpiece. Albeit this gives rise to fake information, which induces unacceptable and unreasonable conclusions.

The author proceeds through the WYSIWYG method. This proves efficiently as the way of painting is very accurate, precise, and honest. In the end, the historical checks and balances reveal an acceptable story of a dynamic artists' community.

Prix de Rome 2021. Beeldende Kunst / Visual Arts verschijnt bij de gelijknamige tentoonstelling in Stedelijk Museum Amsterdam met nieuw werk van de kunstenaars die zijn geselecteerd voor de shortlist van de Prix de Rome 2021. Centraal staat het werk van Mercedes Azpilicueta, Alexis Blake, Silvia Martes en Coralie Vogelaar. Volgens de internationale jury reflecteren de vier finalisten op actuele thema’s, bieden kritische herinterpretaties van historische gebeurtenissen, verbinden onderbelich...

An observatory is a place for the observation of the universe. The artists of Observatorium, however, cast their gaze upon the inhabited world. All over the planet, they have created works of art that are not only to look at, but also to enter, observe and reflect from. Over the past 30 years, Observatorium produced an internationally significant body of work, from the sculpture Zandwacht (Sand Watch) in the Port of Rotterdam to Dwelling in Seclusion, a work of art devoted to solitude in New ...

This Naked Incident is a deep dive in search of the place that 'masculinity' holds in the lives of young people today. Alexander van der Heide and Sander Coers spoke with five peers; all assigned male at birth and all with very different experiences of masculinity and equally different gender expressions. Because what is masculinity? Where it sometimes seems that we have no more than stereotypes to resort to in our efforts to make this tangible, it turns out there are specific moments, charge...

What is real? What is true? Picturing Figures and Faces bundelt theoretische essays en kunstenaarsstudies, gepubliceerd tussen 1988 en 2019, gewijd aan de artistieke voorstelling van de menselijke figuur. Ze handelen over het portret en het dodenmasker, het lichaam en het lijden, en over Egon Schiele, René Magritte, Balthus, On Kawara, Paul De Vylder, Jan Vercruysse, Bill Viola, Anthony Gormley, Bill Viola, Jan Fabre, Berlinde De Bruyckere, Dirk Braeckman en Elly Strik. De teksten zijn rijke...