Lapis Lazuli from the Kiln examines the history of the first glass, from its early sporadic occurrence, through the height of its production in the late second millennium BC, to its disappearance at the end of that millennium. The book draws on an exceptionally wide range of sources including ancient texts detailing recipes and trade in glass, iconographic depictions in tombs and temples, archaeological excavation of the most important sites including Amarna and Qantir, and the description of...

For all archaeological artefactual evidence, the study of the provenance, production technology and trade of raw materials must be based on archaeometry. Whereas the study of the provenance and trade of stone and ceramics is already well advanced, this is not necessarily the case for ancient glass. The nature of the raw materials used and the geographical location of their transformation into artefacts often remain unclear. Currently, these questions are addressed by the use of radiogenic iso...

Glass beads, both beautiful and portable, have been produced and traded globally for thousands of years. Modern archaeologists study these artifacts through sophisticated methods that analyze the glass composition, a process which can be utilized to trace bead usage through time and across regions. This book publishes open-access compositional data obtained from laser ablation – inductively coupled plasma – mass spectrometry, from a single analytical laboratory, providing a uniquely compa...

Interdisciplinary study on the role of earthquakes in the eastern Mediterranean.Does the "Minoan myth" still stand up to scientific scrutiny? Since the work of Sir Arthur Evans at Knossos (Crete, Greece), the romanticized vision of the Cretan Bronze Age as an era of peaceful prosperity only interrupted by the catastrophic effects of natural disasters has captured the popular and scientific imagination. Its impact on the development of archaeology, archaeoseismology, and earthquake geology in ...

The ancient glass industry changed dramatically towards the end of the first millennium. The Roman glassmaking tradition of mineral soda glass was increasingly supplanted by the use of plant ash as the main fluxing agent at the turn of the ninth century CE. Defining primary production groups of plant ash glass has been a challenge due to the high variability of raw materials and the smaller scale of production. Islamic Glass in the Making advocates a large-scale archaeometric approach to the ...