Lapis Lazuli from the Kiln examines the history of the first glass, from its early sporadic occurrence, through the height of its production in the late second millennium BC, to its disappearance at the end of that millennium. The book draws on an exceptionally wide range of sources including ancient texts detailing recipes and trade in glass, iconographic depictions in tombs and temples, archaeological excavation of the most important sites including Amarna and Qantir, and the description of...

For all archaeological artefactual evidence, the study of the provenance, production technology and trade of raw materials must be based on archaeometry. Whereas the study of the provenance and trade of stone and ceramics is already well advanced, this is not necessarily the case for ancient glass. The nature of the raw materials used and the geographical location of their transformation into artefacts often remain unclear. Currently, these questions are addressed by the use of radiogenic iso...

“L’Étrurie est à la mode”, French archaeologist Salomon Reinach bluntly stated in 1927. Since the beginning of the nineteenth century, Etruria had not only been attracting the attention of archaeologists and specialists of all sorts, but it had also been a fascinating and, in some cases, captivating destination for poets, novelists, painters and sculptors from all over Europe. This volume deals with the impact of the constantly expanding knowledge on the Etruscans and their mysterious...

A well‐preserved early Middle Palaeolithic site set against a wider northwestern European context.The shift from Lower to Middle Palaeolithic in northwestern Europe (dated to around 300,000-250,000 years ago) remains poorly understood and underexplored compared to more recent archaeological transitions. During this period, stone tool technologies underwent significant changes but the limited number of known sites and the general low spatio‐temporal resolution of the archaeological record ...

Glass beads, both beautiful and portable, have been produced and traded globally for thousands of years. Modern archaeologists study these artifacts through sophisticated methods that analyze the glass composition, a process which can be utilized to trace bead usage through time and across regions. This book publishes open-access compositional data obtained from laser ablation – inductively coupled plasma – mass spectrometry, from a single analytical laboratory, providing a uniquely compa...

Research Project Sagalassos speaks to the imagination in more ways than one. The authentic and natural beauty of the site no doubt plays a role in that. The Sagalassos Project testifies to the fact that its core business, archaeology, also appeals to the imagination. Learning about the past is fascinating, for young and old alike. Curiosity unquestionably plays a role in this. Archaeologists, as any other scientist, are driven to really know about past human activities. As they leave no stone...

Interdisciplinary study on the role of earthquakes in the eastern Mediterranean.Does the "Minoan myth" still stand up to scientific scrutiny? Since the work of Sir Arthur Evans at Knossos (Crete, Greece), the romanticized vision of the Cretan Bronze Age as an era of peaceful prosperity only interrupted by the catastrophic effects of natural disasters has captured the popular and scientific imagination. Its impact on the development of archaeology, archaeoseismology, and earthquake geology in ...

For the last 180 years, scientists have been attempting to determine the ‘provenance’ (geological source) of the copper used in Bronze Age artefacts. However, despite advances in analytical technologies, the theoretical approach has remained virtually unchanged over this period, with the interpretative methodology only changing to accommodate the increasing capacity of computers. This book represents a concerted effort to think about the composition of Bronze Age metal as the product of h...

The ancient glass industry changed dramatically towards the end of the first millennium. The Roman glassmaking tradition of mineral soda glass was increasingly supplanted by the use of plant ash as the main fluxing agent at the turn of the ninth century CE. Defining primary production groups of plant ash glass has been a challenge due to the high variability of raw materials and the smaller scale of production. Islamic Glass in the Making advocates a large-scale archaeometric approach to the ...