* 'Great art has dreadful manners...' Simon Schama observes at the start of his epic exploration of the power, and whole point, of art. 'The hushed reverence of the gallery can fool you into believing masterpieces are polite things, visions that soothe, charm and beguile, but actually they are thugs. Merciless and wily, the greatest paintings grab you in a headlock, rough up your composure and then proceed in short order to re-arrange your sense of reality...' * With the same disarming force,...

Do I contradict myself?Very well then I contradict myself. (I am large, I contain multitudes.)Abundant, ecstatic, generous, courageous - this is the first American epic poem, a celebration of selfhood and a catalogue of nineteenth-century American life of all ages and races.

WITH INTRODUCTIONS BY MARGARET ATWOOD AND DAVID BRADSHAWFar in the future, the World Controllers have created the ideal society. Through clever use of genetic engineering, brainwashing and recreational sex and drugs all its members are happy consumers. Bernard Marx seems alone harbouring an ill-defined longing to break free.

A visit to one of the few remaining Savage Reservations where the old, imperfect life still continues, may be the cure for his distress... Huxley's ingenious fantasy of t...

Widely acclaimed since publication, John Fowles' most beloved novel is the ultimate epic historical romance. Charles Smithson, a respectable engaged man, meets Sarah Woodruff as she stands on the Cobb at Lyme Regis, staring out to sea.

Written in alternating chapters, W or the Memory of Childhood, tells two parallel tales, in two parts. One is a story created in childhood and about childhood. The other story is about two people called Gaspard Winckler: one an eight-year-old deaf-mute lost in a shipwreck, the other a man despatched to search for him, who discovers W, an island state based on the rules of sport.

As the two tales move in and out of focus, the disturbing truth about the island of W reveals itself. Perec combine...