This thesis starts with a worrisome observation tied to various phenomena across modern built environments: humans today are experiencing a weakened relatedness to and reduced intimacy with the world around them. In stark contrast to the general trend, however, most Chinese literati gardens maintain their traditional rich conditions, enabling their visitors to experience a unique, high-quality experience of relatedness to and intimacy with the world, which may serve as an antidote to the exis...

This encyclopedia documents the presence and impact of nationalized cultural consciousness in European nationalism. It tracks how intellectuals, historians, philologists, novelists, poets, painters, folklorists, and composers, in an intensely collaborative transnational network, articulated the national identities and aspirations that would go on to determine European history and politics, with effects that are still felt today. This new revised edition includes more than 100 additional artic...

When post-war art in Western Europe was characterised by happenings and installations, the artist Raimund Girke (1930–2002), born in Heinzendorf (today Poland, then Lower Silesia (Germany)), continued to regard art as a two-dimensional application of paint on canvas or paper. Although he exhibited several times with artists of the ZERO movement, founded by his fellow students at the Kunstakademie Düsseldorf, he was determined not to be a part of it. Later, he was associated with some other...

The publication Open Field explores and amplifies the work of Raffaella Crispino between research and practice in the eponymous exhibition held at the Royal Museum of Fine Arts in Tournai, within the framework of the Europalia Arts Festival. In the publication, photographs of the works produced and installed in the museum are presented together with working documents, sketches, notes, historical photos, exchanges with scientists, references and architectural documents. The publication takes t...

The gaze that looks ahead and then slowly wanders down or to the side, looking for traces and signs of a landscape, rather than the landscape itself. Van den Broek paints what others pay no attention to or simply overlook. Cracks, borders, shadows, lines, corners, and also bridges, trees, trucks, reflections. They are set up crisply, and stripped of their frills (or as van den Broek puts it: “Cut away the snoopy!”), which leaves them somewhere between figuration and abstraction. Are we in...

This work is an intensive study of the Neolithic deposition of copper objects from Neuenkirchen in North-East Germany. This unique ensemble represents one of the very rare hoard finds from the early Early Neolithic, and is the first of its kind for nearly 100 years, matched only by the famous younger hoard find from Bygholm (Denmark).

The beginning of neolithization at the end of the fifth millennium is not only characterised by a change in the subsistence strategy, but also by the developmen...

Mobilität ist für Formen des sozialen Zusammenlebens grundlegend. Doch welche Rolle spielte räumliche Mobilität in der Vergangenheit? Aus prähistorischen Zeitabschnitten wie etwa dem Neolithikum ist dazu noch immer wenig bekannt. Das gilt auch für die Siedlungsräume des nördlichen Alpenvorlandes. Deren Feuchtbodensiedlungen mit den hervorragend erhaltenen Resten in Seen und Mooren gehören seit 2011 zum UNESCO Welterbe und bieten eine einzigartige Forschungsgrundlage. Die dendrochron...

Langverwachte monografie van videokunstenaar David Claerbout

In een gesprek met Jonathan Pouthier, filmcurator van het Musée National d’Art Moderne, Centre Pompidou (Parijs, Frankrijk), reflecteert videokunstenaar David Claerbout voor het eerst in de diepte over zijn werk van de afgelopen tien jaar in relatie tot actuele discussies over fotografie, film en het virtuele. The Silence of the Lens biedt een unieke inkijk in het maakproces van recente videowerken als The Close, Aircraft (F.A.L....

Diepgaand overzicht van het oeuvre van kunstenaar Mark Manders

Mark Manders – Zeno X Gallery, 28 Years of Collaboration biedt een overzicht van de langdurige samenwerking tussen kunstenaar Mark Manders (°1968) en Zeno X Gallery in Antwerpen. De publicatie verschijnt naar aanleiding van zijn recentste solotentoonstelling in de galerie en belicht enkele belangrijke exposities en bijzondere projecten waarvoor Manders in binnen- en buitenland werd uitgenodigd van de jaren negentig tot nu.

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