A remarkable work, What I Believe remains the best concise introduction to Russell's thought.

First published in 1959, this classic challenge to the prevailing philosophical orthodoxy of the day, remains the most devastating attack on a conventional wisdom in philosophy to this day.

Controversial yet powerfully influential to this day, this classic collection of Bowlby's lectures offers important guidelines for child rearing based on the crucial role of early relationships.

In this classic work, Gayatri Chakravorty Spivak, one of the leading and most influential cultural theorists working today, analyzes the relationship between language, women and culture in both Western and non-Western contexts.

Twenty years ahead of its time, Hayek's thinking has become the stuff of economic orthodoxy in the twenty-first century and he remains a crucial voice in the debates about globalisation that are raging ever more passionately today.

By examining the way we acquire knowledge of the world around us, Russell explores what separates scientific knowledge from our ‘seeming’ consciousness, and in doing so, significantly advances the discourse on the meaning and function of philosophy.

In this humorous and decidedly charming autobiography, Russell offers readers the story of his life – introducing the people, events and influences that shaped the man he was to become. Autobiography is a revealing recollection of a truly extraordinary life.

The very relevance and legitimacy of philosophy is examined in this explosive and controversial work which investigates the relationship between ‘individual’ and ‘scientific’ knowledge, and questions the means by which we come to understand the physical world.

This 4th edition remains essential reading for anyone new to the field and has been updated to include The Cultural Turn in Translation Studies, Translation and Power, Postcolonial translation, Skopos theory, Translation and new technology, The ‘Translational Turn’, translation studies in the Chinese and Indian contexts, and translating for the theatre.