Dit deel in de serie Iranian Studies onderzoekt de filosofische onderbouwing en filmische technieken die kenmerkend zijn voor Iraanse film. Het laat zien hoe thema's als martelaarschap en oorlog, gender en sociaal beleid in Iraanse cinema worden benaderd, en hoe de regisseurs ze met behulp van een verscheidenheid aan technieken behandelen. Er wordt een overzicht gegeven van de poëtische en mystieke dimensies van Abbas Kiarostami's films. Daarnaast wordt beschreven wat de effecten van de Isla...

How is it possible that three playwrights in the early modern Dutch Republic wrote dramas based on contemporary political events in Asia? Reflecting on this remarkable phenomenon, "Staging Asia" traces the passage of the stories surrounding three political revolutions from seventeenth-century Asia through to the Dutch Republic and their ultimate manifestation as dramas. This book explores the nature of the representation of the Orient in these plays and evaluates how this characterization was...

Since the origins of architectural history, proportional systems have served as objects of belief and modes of iconographical communication. Whether they are capable of fulfilling more tangible functions remains a matter of debate today, for this ancient and diverse belief system continues to infiltrate architectural thinking in subtle and sometimes surprising ways.

In this collection of original essays, twenty-six leading scholars reconsider the long history of proportional systems across nu...

This volume of the ASLU series examines perspectives on maritime and underwater cultural heritage (MUCH) in southern Africa and proposes new management approaches to advance protection and public engagement. By redefining the maritime historical narratives in countries that have predominantly interpreted their maritime past through colonial shipwrecks, it is possible to create an environment in which stakeholders become active participants in heritage management. The application of a broad ma...

In the historiography of the period of Dutch rule in the Cape of Good Hope, from 1652 until 1795, Cape burghers are represented as the perpetual underdogs bristling against the rule of a restrictive Dutch East India Company (VOC). But was this relationship really so antagonistic?

The author places Cape colonial society in the wider context of the Dutch Republic and, in doing so, compares the political structures, institutions and dynamics of the Republic and its overseas settlement. He shows ...

Gum Arabic is a natural product which grows exclusively in the Sahel and has played an ever increasing role in the global economy. In the time of the crusades, Europeans bought the ingredient in Arab countries. Soon, it was not only used in ink or medicine, but also as a symbol of its putative Arab origin, the noble Orient. Later, gum was bought directly in the countries where it was produced, but western dependence on it grew. As European countries were laying the foundations for their colon...

The remains of Dutch East India Company forts are scattered throughout littoral Asia and Africa. But how important were the specific characteristics of European bastion-trace fortifications to Early-Modern European expansion? Was European fortification design as important for Early-Modern expansion as has been argued? This book takes on these questions by studying the system of fortifications built and maintained by the Dutch East India Company (VOC) in present-day India and Sri Lanka. It unc...

The work of Fernand Braudel (1949) should have revolutionized the way archaeology conceptualizes temporal scales and builds chronological narratives. Even though Braudel’s general views did impact archaeological theory deeply, his three different time-scales, together with insights into duration as the inner dialectic between different temporalities, remain neglected in archaeological practice.

Nowadays, ceramic chronology building in archaeology still relies on two main variables: time-spa...

The Afro-Asianism of the early Cold War has long remained buried under the narrative of Bandung, homogenising and subverting the different visions of post-colonial worldmaking that co-existed alongside the Bandung project. This book turns the lens on these other visions, and the transnational interactions which emerged from various other gatherings of the 1950s and 1960s that existed beyond the realm of high diplomacy, while blurring the lines between state and non-state projects. It examines...