An homage to the design pioneers who defined the Mid-Century aesthetic through their work in furniture, glassware, ceramics and textiles

More than 50 years later, the fascination with mid-century design is stronger than ever before. Explore the popular movement’s distinctive style in this A-Z guide to the 300 influential designers who helped to define it.

From popular icons such as Alvar Aalto, Lina Bo Bardi, Tony Duquette, Charles & Ray Eames, Pierre Jeanneret, Florence Knoll, and Gio Pont...

The exquisitely produced first monograph on innovative and influential British designer Paul Cocksedge

The internationally acclaimed, London-based designer Paul Cocksedge has spent the last two decades building a reputation for experimental multidisciplinary work infused with a sense of simplicity, joy, and wonder. With his keen interest in science and a fascination with how people interact with design, Cocksedge channels his curiosity into creating thought-provoking pieces that challenge per...

The first complete monograph on the provocative work of influential Italian designer, architect, and critic Alessandro Mendini

Born in Milan in 1931, Alessandro Mendini created vivid, boundary-pushing, eccentric work that sits in an aesthetic universe of its own. He was at the heart of Italy’s Radical design movement in the 1960s and 1970s and, later, Postmodernism, championing a sensitive and intellectual approach to design; he edited Domus magazine in the early 1980s; and he collaborated ...

The in-depth story of one of the world’s most innovative and influential design companies In the recent history of contemporary design and architecture, no company has had more influence than Vitra. From the 1950s to the present day, Vitra has worked with succeeding generations of designers – from Ray and Charles Eames to Frank Gehry and Zaha Hadid, to Ron Arad, Jasper Morrison, and Virgil Abloh. With its forward-thinking approach, Vitra has defined and shaped the way that we live and wor...

DRAWING is the expression of an idea: “Art must come from within, and not from without. This fact has led some to assert that the study of nature is not essential to the student, and that careful training in the study of the representation of the actual appearance is mechanical and harmful. Such persons forget that all art ideas and sentiments must be based upon natural objects, and that a person who cannot represent truly what he sees will be entirely unable to express the simplest ideal c...

This book takes a deep dive into visual design structures, focusing on the timeless principles of movement, space, and composition. While design tools and technologies continue to change, these core principles remain just as important. Written in a clear and engaging style, it’s perfect for students looking to build their foundation in design, and also a great resource for professionals who want to revisit or sharpen their skills.

The book goes beyond the basics of design, introducing fresh...

'Time to Play' is Underware’s exploration of the dynamic relationship between typography, language, and human interaction. With their trademark experimental approach, Underware challenges readers to rethink the role of type beyond conventional boundaries. At the heart of the book is the typeface Kermit - originally developed for children and widely accessible as part of Microsoft Office - making it one of the first writable fonts available to a mass audience. Despite its playful appearance,...

This publication emerges from the 2023 London Design Biennale. It involves an international working group facilitated by Delany Boutkan and Setareh Noorani, both researchers at the Nieuwe Instituut, which confronted the intricate and often uncomfortable dynamics of collaboration. Through public sessions and intimate dialogues in London and Rotterdam, the realities of collaboration and collectivity were examined. Two transcripts from the public events are reworked in this publication, along wi...

Moving beyond the usual genres of form in graphic design’s canonical history, ‘Designing History’ proposes a model centred on bureaucratic instruments of identity, ownership, value, and permission: money, passports, certificates, property deeds, etc. It considers the implications of a design history of the document, where the designer shifts from being a practitioner of conventional design histories to become subject and agency of bureaucratic authority. The book is a revised edition of...