After Meijer's first artist's book about plants in the Stedelijk Museum in Amsterdam, 'The MoMA Plant Collection' includes over 400 photographs and drawings of exhibitions at the New York Institution, in which plants feature among the works. Inge Meijer wants to render museum plants visible once again, to make us aware of their real as well as metaphorical importance. Beyond her desire for institutional critique, she is also part of a new moment between nature and culture.

The publication 'jaune, geel, gelb, yellow. Monochrome' discusses the failure, collapse and historicization of the modernist ideals espoused by Theo van Doesburg, set against the current political backdrop of mass protest. It brings together writers from a variety of fields who reflect on the legacy and failures of modernism from the perspective of their individual backgrounds and expertise.

Edited by Lisa Bakker and Eleonoor Jap Sam. With text contributions by (poet) Maria Barnas, (poet) I.K...

Art is artificial; it is a fake version of reality. The imagery of art represents, illustrates suggests and provides stillness- it sharpens our perspectives and deepens the experience of reality.

Esther Tielemans's work aligns opposites, like the two- and three-dimensional, the abstract and figurative, reality and artificiality. It forms an environment in which the experience of the new precedes the habitual of the familiar.

The authors of this book, Maria Barnas and Hans den Hartog Jager, de...

On the Necessity of Gardening tells the story of the garden as a rich source of inspiration. Over the centuries, artists, writers, poets and thinkers have each described, depicted and designed the garden in different ways. In medieval art, the garden was a reflection of paradise, a place of harmony and fertility, shielded from worldly problems. In the eighteenth century this image tilted: the garden became a symbol of worldly power and politics. The Anthropocene, the era in which man complete...