Michel François’s studio is like a garden—un jardin contre nature—in which objects hang, transform, appear, disappear. Through minimal gesture with maximum effect, François transforms seemingly meaningless objects and materials into meaning-laden objects. Their spiritual character makes us pause in amazement at the artist’s impact on his surroundings, but in a larger context also on our own influence on the world we inhabit. In an agonisingly slow manner, a black block of marble is ...

The book X Years in Art celebrates the ten year anniversary of the Antwerp based Nadya Kotova Gallery. Studying economics in the early 1990s in St. Petersburg—during the shift from a planned market economy to a free market economy in Russia—she initially didn’t think of becoming a gallerist or an art dealer. The turning point though was when she discovered the work of Igor Kislitsyn, who was—and still is—relatively unknown, partly because he is zealously religious. Kotova was strong...