The Italio-Brazilian architect Lina Bo Bardi (1914-1992) forged a unique path with her bold designs. Spanning architecture, stage sets, fashion, and furniture, her work drew inspiration from the International Style, which she translated into her own visual language. Fundamental to her work was her thoughtful en­gagement with her adopted country of Brazil, its cul­ture, society, and politics, and she productively and provocatively voiced her sometimes radical views through designs, exhibitio...

Following on the widely read The Future of the Museum: 28 Dialogues, which explored how museums are changing through conversations with today's generation of museum directors, New York-based author and cultural strategy advisor András Szántó's new compilation turns its attention to architects. The conclusion of The Future of the Museum was that the "software" of art museums has evolved. Museum leaders are "working to make institutions more open, inclusive, experiential, culturally polyphon...

Published by the interdisciplinary design studio MODU, this "field guide" explores threshold spaces between the interior and the exterior. What are experiences between architecture and the environment? Where can the boundaries between the interior and the urban be drawn? What role does the climate crisis play in this? For their research and design projects, Phu Hoang and Rachely Rotem look at three major cities on different continents: New York, Rome, and Tokyo. MODU leaves behind the binary ...

Occasionally, when something seems very familiar you lose sight of what makes it so special: Flemish Masters. From van Eyck to Bruegel sets out to counteract this effect and opens our eyes once again to the revolution that took place in the Low Countries in the 15th and 16th centuries that shaped the course of European art. In 48 lavishly illustrated analyses, Matthias Depoorter explores how painters such as Van Eyck, Van der Weiden, Massys, Bosch, and Bruegel reached unprecedented heights, a...

Von Renoir über Monet bis zu Gauguin - die moderne französische Kunst wurde Anfang des 20. Jahrhunderts nicht nur von westlichen Sammlern geschätzt, sondern fand auch in Japan früh Anhänger. Das Museum Folkwang zeigt 2022 anlässlich seines 100. Jubiläums am Standort Essen seine herausragende, von Karl Ernst Osthaus (1874-1921) begründete Sammlung postimpressionistischer Kunst. Der eigene Bestand wird Glanzstücken des Impressionismus und Postimpressionismus aus der Sammlung Kojiro Mat...