Angelika Hasse (Neunkirchen 1960) has lived in the Netherlands for 28 years.

Born and raised in the German Saarland, she completed studies of graphic design at the Fachhochschule in Mainz. She then moved to The Hague, where she worked as a graphic designer.

Following her heart, she chose to become an artist and took lessons at the Free Academy.

Given her years of experience in creating a combination of text and form on assignment, it is not surprising that text fragments appear in her work.

She is partly inspired by advertisements and commercials in magazines to which her parents subscribed. She thus playfully keeps in touch with her German background and language and pays tribute to the stylish design from the fifties and sixties, when craftsmanship had not yet been taken over by the computer...

The publication 'jaune, geel, gelb, yellow. Monochrome' discusses the failure, collapse and historicization of the modernist ideals espoused by Theo van Doesburg, set against the current political backdrop of mass protest. It brings together writers from a variety of fields who reflect on the legacy and failures of modernism from the perspective of their individual backgrounds and expertise.

Edited by Lisa Bakker and Eleonoor Jap Sam. With text contributions by (poet) Maria Barnas, (poet) I.K...

In his work artist Remy Jungerman searches for an autonomous visual language that does justice to the cultures of the countries that define him: Suriname, the Netherlands and the United States.

'Remy Jungerman. Behind the Forest' focuses on his artistic output of the past fifteen years, including new work created especially for his eponymous solo-exhibition at the Stedelijk Museum Amsterdam.

In his sculptures, panels, installations, collages and screen prints, Jungerman traces pathways of p...

As a painting leaves the artist’s workshop it becomes a focus of various sentiments and thoughts .... It will be admired or disliked, it will be analyzed on technical grounds and commented upon.

It took a long time for this process to become visible. This study examines some examples of the manner in which critical reactions began to manifest themselves in an age in which writing about works of art was leaving the tradition of ex cathedra declarations. The views of three art lovers from that...

Published with an eponymous exhibition in Amersfoort, the Netherlands, this catalogue provides an overview of works created there by immigrant Iraqi artist Sadik Kwaish Alfraji between 2016 and 2021, together with the oeuvre he produced in Iraq in the 1980s. Central to this cartography is a reflection on Baghdad, the artist’s own family history of migration, and his experiences in Iraq during the turbulent years he spent working there. His characteristic black linework and melancholic under...

The work of Koen Taselaar is a unique universe in which only he determines the rules. He makes skillful drawings, but also clumsy ceramics and elaborate Tapestries.

Taselaar’s visual language emerged from the grey area in which text is not only meaning but also form. He expresses this in drawn puns, imaginary record sleeves or large psychedelic paintings. In search of ways to process his diverse output, he makes publications and large scale drawings, which function as flat exhibition space...

Munayem Mayenin's artworks, paintings, kollarimaginics, drawings and designs

Effigy hanging and burning, a specific theatrical form of political protest, has become increasingly visible in the news media, particularly in protests against United States military operations in Afghanistan and Iraq, in US domestic politics, and in the Arab Spring. Taking these events as points of departure, Göttke investigates the conditions of this visual genre of protest, its roots and genealogies in a number of countries, its aesthetics and politics.

Effigy protests communicate comm...