'As Above, So Below' documents the work made by Amsterdam-based artist, Ruchama Noorda over a twenty-year period and explores the esoteric system of belief that links her practice to the early 20th century Lebensreformers, the European avant-garde, and today's no growth environmentalist movement.

This book offers a comprehensive overview of the artist's installations, drawings, video's, sculptures, and performances with written commentary by the artist and by California-based art and cultural...

De tekeningen van Cathalijn Wouters zijn meer dan een voorstelling van inkt op papier. Geroemd om hun krachtige, universele emoties uitgedrukt in schijnbaar een enkele zwarte lijn op een witte ondergrond, is de techniek weliswaar dienstbaar aan het narratief maar is de identiteit van de kunstenaar altijd herkenbaar.

Na eerdere boeken (Beyond Reality en Independent), is Remember Me haar eerste boek dat geheel aan haar tekeningen is gewijd. Meer nog dan in haar neo-impressionistische olieverfsc...

‘100MJ’ concerns an intuitive and personal drawing project about identity by Dutch artist Bas Kosters. The book shows a series of a hundred full page drawings based on the image of Michael Jackson. It is about how people are shaped trough the eyes of others, the reach of recognizability and identity. It plays with the ideas about visual culture and recognizability. In hundred portraits drawn on ephemera Kosters shows, in a poetic manner, man in all their strength.

Over the course of 202-2021, during the pandemic, Kara Walker has produced series of drawings in the style of a medieval 'Book of Hours'. Enigmatic images appear to traverse a range of time periods, from scenes of biblical and mythological origins, to images of historical violence, to others that suggest more recent political strife. The highly personal nature of these images capture Walker's own response to the intersection of past and present as a way to understand our contemporary politica...

A magnificent introduction to the Cobra art movement

With French as its working language, Cobra was pretty much the last truly European movement within Modernism. The group’s anarchic story is not just an important strand in art history — it remains as lively as ever and has inspired all sorts of artists who were never directly involved with Cobra. The work bequeathed to us by Karel Appel, Pierre Alechinsky, Constant, Corneille and other kindred spirits is as fascinating as ever, both raw...

Tatyana Galtseva was born in Kemerovo (Siberia) in 1967 and has lived in Antwerp, Belgium, since 2000.

Besides her daily work at the Heritage Library Hendrik Conscience, she took several courses (ceramics, painting) at the Academy of Fine Arts in Berchem. Since her studies at the Academy, Tatyana has been working as an independent artist in her own studio.

An important source of inspiration in her search for her own forms and her own style and colour palette is the art theory of the founder o...

What does the Earth sound like? In 'Stations: Listening to the Deep Earth', musician Stuart Hyatt teams up with PRINTtEXT to invite poets, composers, and scientists to answer this question. What begins as a grand science experiment quickly transforms into a lyrical duet with the enchanted ground beneath us.

Hyatt and Enrique Ramirez begin the text with examinations of a whole-Earth sensorium. The text then branches out in three directions—Invocation, Reverie, and Rhapsody—before reconverg...

Batia Suter’s work intuitively situates found images in new contexts to provoke surprising reactions and significative possibilities. ‘Parallel Encyclopedia’, which she conceived between 2004 and 2007, contains a precise composition of numerous images taken solely from other books. Significant underlying themes expressed in the Amsterdam-based, Swiss artist’s practice are the “iconification” and “immunogenicity” of old images, and the circumstances by which they assume or beco...