This edited volume explores the notion of “artifice” in modern visual culture, ranging from the eighteenth century to the present, in countries around the globe.

Artifice has been regarded as a primarily Western phenomenon, playing as it does a central role in European art theory since the Renaissance. This volume proposes that artifice is better understood as a transcultural artistic phenomenon and requires far broader conceptualization across international contexts. It acquaints readers...

This book provides timely assessment of the extent to which Emmanuel Macron’s declared presidential goal - to bring in radical transformation of French politics, indeed a revolution, albeit a democratic one - has been achieved.