This book deals for the first time with the cultural history of media in nineteenth-century Iran, a history that deals with how modern techniques of representation and communication were received in the Iranian Shiʿa society. This reception history is examined in religious photography, military reforms, Persian passion plays, Shiʿa medicine, and the burgeoning telegraphic culture. The problematic relationship between Shīʿa Islam and 19th-century media is conceptualised and contextualised,...

Islam exists in global history with its richly variegated cultural and social realities. When these specific cultural contexts are marginalized, Islam is reduced to an ahistorical religion without the ability to contribute to humanity. This limited understanding of Islam has been a contributing factor in many of the violent conflicts in the present day.

Reflecting on Islam in Indonesia, the world’s third largest democracy, supporting the largest Muslim population, Ahmad Syafii Maarif argues...

This ethnographic book deals with the emergence of the Wali Pitu (seven saints) tradition and Muslim pilgrimage in Bali, Indonesia. It touches upon the issues of translocal connectivity between Java and Bali, Islam-Hindu relationship, relations between Muslim groups, and questions of authority and authenticity of saint worship tradition. It offers a new perspective on Bali, seeing the island as a site of cultural motion straddling in between Islam and Hinduism with complexities of local figur...

How Muslims in Indonesia consider their religious practices, politics and culture as Islamic is described in this volume. By examining the various ways Bima Muslims constitute their Islamic identities and agencies through rituals and festivals, this book argues that religious practice is still vigorous in present Bima. It explores the reproduction of religious meanings among various local Muslims and the differences between social groups. Islam is represented as divided between the traditiona...

Images provoke! This volume explores the role of images in contemporary Islam by turning to the act of provocation. Moving beyond a common focus within the study of religious visuality on art, aesthetic value, and perceptions of beauty or coherence, it shows how, when, and why images dare, shock, terrorize, confront, challenge, mock, shame, taunt, and offend, either intentionally or unintentionally, and as such lead to both confrontation and affective religious engagement. Exploring and exper...