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Fotografie, film, video als kunstvormen (4)

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Building a White Nation

Propaganda, Photography, and the Apartheid Regime Between the Late 1940s and the Mid-1970s

2023 || Paperback || Katharina Jörder || Leuven University Press

Throughout the apartheid era South Africa maintained a wide-reaching propaganda apparatus. At its core was the information service that strongly capitalised on photography to visually articulate the minority regime’s racist political messages, promote Afrikaner nationalism, and consolidate white rule. By unearthing a substantial corpus of photographs that so far have been hidden in archives, this book offers a distinctive perspective on the institutional context of the regime’s photograph...

59,50
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Watching, Waiting

The Photographic Representation of Empty Places

2023 || Paperback || Sandra Križić Roban e.a. || Leuven University Press

In the aftermath of Covid-19, the subject of ‘empty places’ has gained renewed topicality and resonance. Watching, Waiting presents a collection of essays, both photographic and written, that brings emptiness into interdisciplinary focus as an object of study that extends beyond the present. The contributors approach the specific interrelationships of photography and place through emptiness by considering historical and contemporary material in equal measure. Drawing on architecture, anth...

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Francis Alÿs. The Nature of the Game

2023 || Paperback || Gerard-Jan Claes e.a. || Leuven University Press

In 1999, a short video of a solitary boy kicking an empty bottle up a hill in Mexico City became the first instalment of Children’s Games, a series of works by artist Francis Alÿs (b. Antwerp, 1959). The ongoing project, which now numbers around thirty-five works, has gradually given shape to an extensive collection of videos of children at play. For almost twenty years, Alÿs and his collaborators Félix Blume, Julien Devaux, and Rafael Ortega have been travelling around the world to docu...

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Dirk Lauwaert. Selected Writings, 1983-2004

2023 || Paperback || Dirk Lauwaert || Leuven University Press

Radically subjective. Radically unapologetic. Radically demanding. These are the hallmarks of Dirk Lauwaert’s skill, attitude, and sensitivity, which are the result of radical attention.

Belgian writer and critic Dirk Lauwaert (1944–2013) wrote about images, be they moving or still, historical or contemporary, overfamiliar or unseen. He experienced them intensely, studied them attentively, and connected them to ethical, philosophical, or social issues in texts that invited readers to do t...