When the Musée d’Art Moderne de Paris asked Ari Marcopoulos to curate an exhibition around their acquisition ‘Brown Bag’, a short film on skateboarders in New York that he made in 1993, he was given access to the museum’s collection of over 15,000 works. He looked for themes related to the body, injuries, and architecture, along with what he perceived as challenging and puzzling works. Some of the artists were already familiar, while others were new to him. The process was not so dif...

Charlotte Dumas spent a few months in the spring of 2006 living in a tiny rooftop accommodation in Palermo, overlooking the city. The photographer became fascinated with a pack of stray dogs hanging around the park across the street, watching them lazing in the shade or listening to their barking at night. Over time, she became familiar with different packs of dogs, each with their own territory in the old parts of town. They roamed around the harbour and in the street markets, circling the b...

Dana Lixenberg’s ‘Polaroid 54/59/79’ is remarkable collection reflecting the American celebrity culture she encountered in the 1990s and 2000s. It takes us back to the heyday of print media, when photos were primarily analogue. The title refers to the types of peel-apart instant film Lixenberg used between 1993 and 2010, when Polaroid prints formed an essential part of her work process, serving as test and reference material for lighting and composition. She made these Polaroid tests in...