The 60th International Art Exhibition, curated by Adriano Pedrosa, which will be held from April 20th to November 24th 2024 in Venice, is titled Foreigners Everywhere. This catalogue follows the exhibition route through the spaces of the Giardini and the Arsenale.

This book was born from the need to understand Italian drawing as a fundamental starting point for the knowledge of 20th century art history. The drawing was an essential first step, an expressive means of choice for every artist, painter or sculptor. Considering a wide range of techniques on paper (from watercolor, to collage, to crayon, to felt-tip pen), the drawing could be considered the skeleton of 20th-century art because it represents the first visualization of an idea. The drawing exp...

A "whimsical" itinerary through 800 glass masterpieces from the 18th century to the present, acquired by the Galleria Rizzarda in Feltre, Veneto

The volume presents a collection of over 800 pieces ranging from the eighteenth century to today allows to marvel, in particular, at the Murano production and its great glassmakers.

Aldo Rossi (1931-1997) added to his successful activity as architect, professor and theorist, also that - equally well known - of designer: in this field he continued with great professionalism and passion until his untimely death in 1997, collaborating with some of the most important Italian and international manufacturers, such as Alessi, Artemide, Bruno Longoni Atelier d’Arredo, Molteni, Rosenthal and Unifor. The volume investigates Aldo Rossi’s activity in the design sector in its ent...

This book retraces the essential early stages of Veronese's creativity in Venice, then goes on to discuss the following 40 years of inventions, boasting an inexhaustible imagination.

When Henri de Toulouse-Lautrec moved to Paris, he soon became a real chronicler of Parisian life. He was a painter who captured the exhilarating society of le demi-monde and its establishments: racecourses, circus tents, theatres and opera houses, cabarets and brothels which became his ateliers. In only ten years, up to his death in 1901, he produced 368 prints and litograph posters, which he considered of equal importance to his paintings and drawings.